A Quote by Chloe Benjamin

Sometimes, we writers find the perfect research material. I can't overstate how how precious that feels - it's as though you're having an intimate conversation with someone who has the key to unlock your project.
There's the wonder of being able to do research from your own living room, of course. I do find that my biggest research issue, though, is how to frame my questions.
Patience and rest are key. Knowing how your body feels. You're the only person that knows how your body feels. The way of going about it is expressing it to your trainers and your coaches so you won't damage anything else.
Do you know how writers often say the characters take over... But that is more or less what it always feels like to me, too. Even though that's just a way of describing how your brain is working, it's still what you tend to feel.
Indie record stores are as important to a touring musician as an incredible thrift store. I can't overstate how good it feels to place an original pressing of 'veedon fleece' in your most underused of shirts and pack it into your suitcase, anxiously awaiting the day you get home so that you can play it as though it was your reward or trophy from the long journey you had just finished embarking on.
Learn to look not just with your eyes but with your heart. The truth is that style and taste are all relative. It is not a question whether or not someone has good taste. It is how something feels to the individual…Open your heart and mind to the world, and find the things that connect with you. How else will you know how to design your home?
In New York and L.A., there is sort of that silent competition to be on the cutting edge of something. You end up having a conversation with how the world receives your work, especially if you are writing narrative, not fiction. Sometimes it is an awkward conversation. It's like group therapy.
Having a conversation on a landline is more intimate than talking to someone in person. Your voices are so clear and close - you're in each other's heads.
When you play a smaller, more intimate venue, you can have real conversations with your audience, take risks, and stay current. You can also change the set list, on how the day feels or how the audience reacts. When you do arena shows, every arena looks and feels the same. You can't see who is in the room.
Once you get older, you get a little closer to yourself, intimate. I've always been very aware of that, more conscious of who I am, how I fit in the thing as opposed to trying to emulate someone else. Though, sometimes I try to emulate De Niro all the time, who is someone I could never be.
We really enjoy that, having a relationship with writers, developing material and getting a director, actors, that we have kind of that family kind of as a group we're going to do it together mentality in a project. Then the tough part is - so what actually goes has very little to do with us sometimes.
Sometimes I'm asked if I do research for my stories. The answer is yes and no. No, in the sense that I seldom plow through books at the library to gather material. Yes, in the sense that the first fifteen years of my life turned out to be one big research project.
You cannot die of grief, though it feels as if you can. A heart does not actually break, though sometimes your chest aches as if it is breaking. Grief dims with time. It is the way of things. There comes a day when you smile again, and you feel like a traitor. How dare I feel happy. How dare I be glad in a world where my father is no more. And then you cry fresh tears, because you do not miss him as much as you once did, and giving up your grief is another kind of death.
What I find is that it's the middle-aged authors who have lived a life who have the most important, interesting voices. They just need someone to give them the key to unlock the door.
Having been a lobbyist myself you can't overstate how easy it is to get things done your way. It's a complicated policy and many lobbyists are trying to wreck amendments as we speak.
Find the beliefs that are strangling your feelings, challenge them for your sake as well as theirs, and see how it feels to love someone without a thought about the future, simply for who they are today.
I'm in love. And I like how that feels. And I hate how that feels. Because love is an invention of fiction writers.
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