A Quote by Chloe Madeley

Doing a show like 'Dancing On Ice,' if you are not a performer, it's a bizarre world to go into. — © Chloe Madeley
Doing a show like 'Dancing On Ice,' if you are not a performer, it's a bizarre world to go into.
I was ballet dancing at four, playing piano by six, and doing commercials by 12. When I was 21, I was on the number one live comedy show in Puerto Rico. I told my parents, 'I'm going to New York to become a performer.' And I left.
My go-go dancing was not your typical go-go dancing: I really was doing performance art. I would do dramatic, elaborate lyricals across the bar. I learned a lot, actually, as an artist during that time.
I'm doing 'Dancing on Ice' and I'm just exhausted.
There are lots of reasons people come to Beyonce shows. There's the music, her dancing; all in all a bedazzling show. She's a great performer and singer.
I started out dancing on a reality TV show, but always with the intention of making my way over to film. I transitioned into the film world by doing certain things that my fans had been used to seeing me do. My dancing and singing gave me the confidence to act.
The thought of bringing a cake into a dance music show is a bizarre one. The idea of rafting on top of people is just as bizarre as well. And I think whenever something bizarre comes into play, it immediately becomes an easy target. And for those reasons, I know that I have been the target of criticism.
People think skating would translate very easily to dancing, but it really doesn't. Dancing is a lot of fun and not as dangerous as being on the ice.
I was like, wow, this guy's [Donald Trump ] going to do well. And I remember people laughed at me. People were like, oh, you silly ignorant person who's just come to this world. You clearly shouldn't be at "The Daily Show" 'cause you don't know what you're talking about. And I was like, but I don't know. He seems like he connects with people. I can relate to him as a performer. I can see what tools he's using. He's good at riffing. He's good at taking the crowd on a journey. I can see what he's doing.
I don't get grumpy at a 'Strictly' level, you understand. We're just making a television show - the person I'm dancing with can't dance; they're doing their best, and we're not going to win the World Championships.
But it is never over; nothing ends until we want it to. Look, in shattered midnights, On black ice under silver trees, We are still dancing, dancing.
As an ice dancer, we take our on-ice relationships so seriously, and that's really the way we like to go about it.
I think probably with any performer, but maybe with rock music especially, the audience wants to see the singer being real, and exploring, and not doing a rehearsed routine, so I'm just constantly looking for new things to try. I'm really curious out there, and my curiosity has led me into all kinds of bizarre situations.
I didn't want to admit that I was a performer. A performer meant spotlights - a performer had connotations of theater. I would have preferred agent to performer.
I was very innocent and shielded as a child, so I didn't know a lot about music or dancing. When I was in Primary Six, no one would participate in a talent show, so I decided to go on. When the audience applauded me, I felt euphoric, and I started dancing right after that!
I've always had a passion for dancing, and I wasn't lucky enough to go to stage school, so when I got onto the show, I was like a kid in a sweet shop. I went into it just to have fun. The support was overwhelming, to say the least. It wasn't until the end of the show that I realised how much I really wanted to win it.
Take ice. Ice is fascinating to me. Ice is the one thing in our world that went from an agricultural product to being manufactured.
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