A Quote by Chloe Sevigny
I always feel I could be like Toni Collette, going between big studio things and indie films. That would be feasible.
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I believe in Mexico there's a big culture of moviegoing, both studio and indie. I think here in the US that's not the case because Latino communities don't have access to indie films. If you go into communities of color you will only find the big theater chains which only play the blockbuster genre films.
Even the shows or movies that we know are not going to change the world, I love this. I love 'em. I'm a movie fan. I'm a nerd of any kind. I love a big studio comedy as much as I love the teeniest tiniest of indie. I'm not a snob in that way. I really do like a big, big studio comedy.
I would say that Cynthia Nixon is somebody I admire, and Toni Collette as well. Those women - their work inspires me, whatever they do.
You've got these big studio films and these tiny independent films now. It's very much either/or. With the independent films, it's always a beautiful risk - it might never be seen. With the studio films, you're conforming to the formula of what's always been in place.
Toni Collette is one of my favorite. I have a passion for actresses. The list is going to be very, very long.
I go back and forth between indie and studio because I feel like it, not because I feel obligated to do one or the other.
I've done big studio films and the big studio films I've done, I've tried to do the interesting ones and the ones where I could live with myself in the morning.
I had started acting when I was 7, and I was always wrong. I would always get to the very end [of the audition], but I wasn't a perfect package of one thing. I wasn't a cliche, and it always worked against me. I wasn't pretty enough to play the popular girl, I wasn't mousy enough to be the mousy girl. Then there was a TV show that Toni Collette was starring in. And when a role to play a girl who was struggling with identity came, I thought: "Oh, this is what I was supposed to do. Everything's leading up to this moment." I was 18. I was like, "This is it." I didn't get it. And I was devastated.
People always feel like there's a big split between TV and films: I'm a television actress, I'm a film actress. Maybe that's how it was but I feel like there's not that separation anymore. And actors are able to kind of flow between both worlds - and connect to both audiences.
The big AI dreams of making machines that could someday evolve to do intelligent things like humans could - I was turned off by that. I didn't really think that was feasible when I first joined Stanford.
I love to watch low-budget indie artsy films, but I do also love the big blockbuster things. I would love to do that one day, do a Marvel film. That would be really great.
I had always thought my fantasy career would be making indie films and doing my own thing. But then 'Superbad' came along, and it totally changed everything. It was so hilarious and smart and extreme; you could probably do a psychoanalysis term paper on the male sexual psyche going on there.
I think indie films have more of a fresh, experimental vibe about them, whereas studio films know what they want and can basically get it.
I really feel like indie films are where I learn to be a better actor, especially because they always give you a bit more freedom to collaborate.
Playing big films on festivals is SO misguided. And I know where it comes from: it comes from the head of the festival thinking that he'll play with the big guys, like that's the way to do it and it's SO not the way to do it. It's where Cannes went wrong, it's where Toronto is going wrong. I mean, I got off the plane in Cannes this year and the streets were paved with posters from studio movies. Who cares about that? Why come to Cannes for that? You're going to be able to see all those films anyway - you're not going to be able to avoid them, so I don't get it. Obviously.
I'm not a fan of taking too long in the studio. I always do one vocal take and jump out of the control room, and people push me back in... It's a real turn-off to hear things that are too polished. I feel like I've almost fought for the right to be that kind of musician - we used to be on a major label, and now we're on an indie.
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