A Quote by Chloe Sevigny

I'm really into a blush on the eyelid and on the high of the cheek. The singer of 'Cocteau Twins' used to do that - really pink eyelids. It added a little romance to the hard kind of street-edge clothes.
'Hill Street,' because of the wacky nature of many of our characters, really allowed us to indulge a kind of cheek-to-jowl juxtaposition of high drama with very low humor.
I like a bohemian floral dress, but then I'll throw on a leather jacket or a pair of lace-up boots to give it an edge. My mom is always trying to get me to wear really sweet clothes. Something pink. But that's not really my look.
I used to throw on soundtracks, and orchestral stuff would be the only thing I could write to, maybe 'Dead Can Dance' or 'Cocteau Twins' or something. Mostly, it was movies scores that would kind of inspire me.
I'm not really a girly girl, so for the most part, I'm really into wearing baggy clothes. A little on the grungy side of things for the dance world. I'm not really into the tutus or the flower hair clips, either. As dancers, we're pretty much next to naked with each other all day, so you kind of get used to being not so clothed.
I kind of got really, really into 'Hill Street Blues' when it came out. I used to leave a class early just to make sure I could watch the episode of 'Hill Street Blues' that day.
I don't really wear a lot of makeup, but when I do, I love to put on the Benetint Blush. It's very pretty and pink.
People do think I was a one-hit wonder, that I'm maybe not the kind of singer that I can really be - that impression is there. I have to work really hard to break down those walls.
I'm really not the biggest metal fan as it is. I'm more of a hard-street-punk kind of kid, but I also loved hip hop and reggae music, so we have always sort of refused a street style that is something that we are used to. Something that makes us comfortable and sounds good to us.
Prince turned experimental music into pop music. 'When Doves Cry,' the whole 'Purple Rain' soundtrack - he was inspired by the Cocteau Twins and new wave pop and brought it into R&B when he first started, and then it became this cool, next-level, kind of hard-to-digest music. Which is what I felt 'House of Balloons' was.
I always used to dress up in little girls' clothes when I was really young. Then I realized that boys weren't supposed to do that, and I got really shy. I didn't do it for many years.
The sun sliced through the windshield, sealing me in light. I closed my eyes and felt the warmth on my eyelids. Sunlight traveled a long distance to reach this planet; an infinitesimal portion of that sunlight was enough to warm my eyelids. I was moved. That something as insignificant as an eyelid had its place in the workings on the universe, that the cosmic order did not overlook this momentary fact.
A few friends and me used to go and watch Bunuel, Carne, Cocteau... Cocteau and Bunuel were surrealism. And I was very excited by that. 'Un Chien Andalou', especially.
I've had mainstream readers complain that the book is really a romance, and romance readers complain that the book isn't a romance - with the same book! It really depends on the individual reader's expectations going into the story, and that's very hard to predict person to person.
There's a blush for won't, and a blush for shan't, and a blush for having done it: There's a blush for thought and a blush for naught, and a blush for just begun it.
Every trend in my high school was terrible! I used to wear my hair in a tight bun and let two long pieces hang in the front. I'd also wear really dark eyeliner and bright pink eyeshadow. For some reason, my friends and I thought it was really fashionable to wear a short tie with our uniforms.
I am trying to Marie Condo the house starting with my books, although it's really hard to part with them! But I really want to de-clutter and get rid of stuff I haven't used for six months, whether it's clothes, bags, or shoes.
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