A Quote by Chloe Sevigny

I was a girly-girl until I moved to New York. Then I got really into the androgynous look of the early-'90s club scene. I had really short hair and started blurring the line a bit. But for me, grade school was about Benetton, Esprit, and Guess jeans.
I was more feminine. I was a girly-girl until I moved to New York. Then I got really into the androgynous look of the early-'90s club scene.
My biggest style inspirations come from the '90s. I'm really inspired by TLC, Janet Jackson, and designers like Jeremy Scott. I'm hugely inspired by Club Kids from New York back in the '90s. I'm inspired by the drag queen scene. Combat boots and the torn off jeans and a baggy shirt - I love that look.
In '83 I started travelling round Europe with my slide show. It wasn't until I moved to Europe and got accepted in a big way in Berlin in the '90s that I got acceptance by the big art world in New York. I didn't really get to be known, or in the market, til '93 in New York.
Music didn't really hit me again until the '90s, when the dancehall scene got going. The '90s were perfect for me. I would have really liked to have had The Slits out in the '90s again, to do tours and albums, because I think the '90s was a brilliant decade for music.
I guess to long story short it, I was really just working day jobs when I moved to New York and trying to pay the bills, working in restaurants and as a receptionist, and at one of those reception jobs, I just got so bored, I started a blog, honing my writing skills a little bit.
This was early '90s and in New York hip-hop was coming on really strong; that was the sort of urban folk music that was almost threatening to eclipse rock music and indie rock music in terms of popularity, which it has certainly gone on to do. But you know, this is the end of the 1980s, beginning of the '90s. The whole independent label thing has really evolved to this incredible point from the early '80s when we started, and there wasn't one record label at all, until a couple people started forming these small labels.
New York had a big influence on me growing up, and I was really part of the club scene - the Mudd Club and Studio 54. When you're living in New York, you are just bombarded with style, trying to figure out how to be cool and how to feel relaxed at the same time.
My worst hairstyle was a bowl cut parted down the middle. It was the '90s. It was what you did. I had that from 4th grade until freshman year in high school. I'm glad the pictures exist. I had great hair back then.
I was at a public school until I was in sixth grade when I moved to New York.
We moved in 8th grade, so 7th grade I was doing okay, and then 8th grade, everything fell apart. I had no fashion sense to speak of. We only had a couple of hair care products back then. We didn't have all these things to tame your hair. I had glasses; I had braces. I had it all.
I moved to New York when I was 17 and I had no idea what I was doing. I really thought I was going to take that city by storm and it taught me a lot; it was like the school of life. For me, it was like a series of really hilarious experiences in New York with getting jobs and getting fired.
I had a hard time when I came back to Sweden and started school, because I looked different. And we moved to a really small town on the west coast of Sweden, and there were no brown people around. It didn't really get any better until I started music school at about 10 years old.
I didn't fall into the category of the 'classic Bond girl.' I had short hair - and no Bond girl before me ever had. They put me in a wig at the beginning of the film, and then had my character cut her hair to pretend to be someone else. That was to explain why my hair was short.
When I first went to New York, I didn't really go out to clubs. It was the height of Culture Club so I didn't really have a social life. It was only after I had been to New York a few times that I started going out.
I grew up just outside New York City in a very white town. In seventh grade, I got called Macy Gray. It really affected me, so I got a weave and wore my hair straight.
I kept extensions in until I finished high school. Although, once I got to college, that's when it all started to shift. I think it was just growing up and moving to New York, where I saw so many different people, vibes, and looks, and everyone really owned it. That led me to feel more free, take more risks, and go back into my natural hair.
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