A Quote by Chloe Sevigny
I think it's just a lot more pressure to make the scenes work when you're doing a film, because when you're doing a series you feel like, I have so many scenes, so many episodes, so if I don't get it exactly right this time, I have another scene later. You feel less pressure.
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Every other show that I'm on, they're always rushed, and you feel this pressure to hurry up and get out of the scene, but I don't feel that way on 'Transparent.' They like to linger in these scenes.
Generally speaking I would say I enjoy the smaller films more because there's a less sense of pressure and often the material is more unusual. But in "Iron Man" it was kind of like both worlds colliding because there was a lot of improvisation, not that we improv-ed in the scenes but to discover the actual scenes themselves.
I like pressure. Pressure doesn't make me crack. It's enabling. I eat pressure, and there might be times when I get a bad feeling in my gut that this might be too much, but you feel pressure when you're not doing something, you know?
When I was in acting class, we did a lot of really serious scenes, and we didn't do comedic scenes. I felt like doing those scenes, it didn't come out of my mouth the right way. I don't know if it's because my voice is different, or what it is about me, but it just seemed a little off.
The one nice thing about doing a character for a long time is, you begin to feel more comfortable, and you are thinking less and behaving more. It's always best not to be thinking a hell of a lot while you're acting, because you want it to be as spontaneous as possible, not too intellectual. Just behaving and listening to other people who you're doing scenes with. I always like the latter when it looks easy, even though it may not be.
I think a lot of the production process is always giving yourself, like what I call like escape routes, like, if this scene doesn't play, if we realize we've had too many dirty scenes in a row, and it's like, because you don't have the luxury when you're in the middle of shooting, to see how these scenes play all in a row, kind of, you know what I mean. So, like we're always trying to like have insurance policies on, ok, if that doesn't work, we can just jump to this thing.
I do have huge pressure in terms of making my animation, because a lot of audiences and producers are expecting me to make films with a lot of action. They all know that I'm very good at action scenes, but I tend to not use many, so they're all frustrated with me. But I do that intentionally. Yes, if I do a movie with a bunch of action, it's going to be a lot more successful than the types of movies I'm making right now. The producers often say, "Instead of using all these philosophical phrases, why don't you change this into an action scene?" But I intend to continue to make these movies.
I don't feel pressure in a negative way. I like pressure. I feel excitement and calm at the same time. No pressure, no diamonds. I want pressure: pressure creates drama, creates emotion.
My habit is to get real competitive and make racing probably more work than it is enjoyable, and I put a lot of pressure on myself, and I feel like there's pressure from the outside - it's probably not real, but it's something I imagine.
Especially today, Mollywood's action scenes comprise of many 'hero touches and the villain flies' scenes. I never promoted that, and only believed in realistic stunts, with just the right amount of cinematic feel seasoned on them.
Fight scenes are really more like dances than they are fights, because you're depending on your partner to do the right move at the right time. Yes, a tough person or somebody who knows what they're doing will look better in a fight scene, but it also has a lot to do with the other person.
I think you can train yourself to block out some of that pressure and replace it with confidence. It's about preparation, and the more prepared I am, the less pressure I feel and the more confident I am. As your confidence grows, it's only natural that the pressure you feel diminishes.
I feel the only way you feel the pressure is when you think it is an important match or series. If you feel that every time you go out into the middle the match is important then pressure ceases to exit.
People like to see what you're doing and feel involved. Everyone craves that whole behind-the-scenes side of things. I think it's important to keep people involved with what you're doing and to shed a little light on what goes into the end result. There's pressure, but you have to keep it real. People forget that Instagram is there for fun and I try not to lose sight of that. It's not as serious as everyone thinks it is.
There is also a great deal of behind-the-scenes pressure from political funders too. And by funders I don't just mean the fossil fuel industry. Many of those exerting pressure on our society to ignore climate change, oppose climate change legislation, and shut down efforts to develop a clean energy economy are doing so out of ideology, not just economics. In the simplest terms, many large industries don't want the government telling them what to do with their businesses and they don't want any restrictions on what they can and cannot do, which includes polluting our shared environment.
I enjoy doing scenes where I don't wear make-up and I can be raw. I like that. I feel like it's easier to act. When I have to have make-up on, I feel like I'm expected to look a certain way, and then it's harder to act because I'm more self-conscious.
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