A Quote by Chloe Wise

The only way to make a criticism of something is to really participate in it. I'm a completely capitalist person. I participate in commodity culture and the fashion world. High art is a money-making vehicle. We're not making art in a vacuum. We're not shopping in the woods. These are all things that we do within the larger system of capitalism. For me to critique it, I'm also participating in it. That's obvious, I feel. In my work, I participate in the things that I critique. I satirize the things that I love and know well and find problematic.
In my work, I participate in the things that I critique. I satirize the things that I love and know well and find problematic.
You can't participate in agriculture or redesign of aircraft for making them safer if you know nothing about it. So, whenever a person says 'will I be participating in the new world?' Only in areas that you can participate it. Areas that you have competence in. I'm not talking about self confidence, I'm talking about the ability to solve problems. Electrical, chemical, technical. I don't know of any other kind of problem.
I wouldn't say the purpose of making art is to enjoy it necessarily. For me, it happens to be the thing I enjoy the most. I don't even know what the purpose of art is really, I just know that is something that makes me feel satisfied in a way that other things don't. That's all I know, that's why I like to write songs and films or draw. I just like to make things and somehow I find it gives me a feeling of satisfaction that I can't find in other areas of my life.
Philosophy is speculation, Zen is participation. Participate in the night leaving, participate in the evening coming, participate in the stars and participate in the clouds; make participation your lifestyle and the whole existence becomes such a joy, such an ecstasy. You could not have dreamed of a better universe.
That's what it's all about - making art is making something live forever. Human beings especially - we can't hold on to them in any way. Painting and art is a way of holding onto things and making things go on through time.
It's really hard to write about art in general. But it's exceptionally hard to fictionalize art and make work that isn't a parody, or is something that could withstand critique and exist in the art world as a valuable object, or a true piece.
As Martin Luther King said, "Passively to participate in an unjust system is to accept that system and to participate in its evil."
There are many more important things in life than fashion. But fashion, to me, is part of pop culture. And I'm an art collector. I'm obsessed with art and pop culture. And I say that there is fame, fashion, art, music and entertainment, including celebrity, that really moves the needle in society.
I recognize the inequities certain cultures have to go through. I understand the history of slavery. I know all those things. But I'm not a victim. I can vote, I can participate, I can invest my money, I can invest my time, and that's what I'm doing. I'm not working for anybody. I'm not making any money doing what I'm doing. I'm doing it because someone did it for me.
To the question, ‘Is the cinema an art?’ my answer is, ‘what does it matter?’... You can make films or you can cultivate a garden. Both have as much claim to being called an art as a poem by Verlaine or a painting by Delacroix… Art is ‘making.’ The art of poetry is the art of making poetry. The art of love is the art of making love... My father never talked to me about art. He could not bear the word.
I write some art criticism, and one thing that's clear to me is that politics is fashionable in the American art world in a way it maybe isn't in American fiction. Your work of art becomes fashionable the moment it has some kind of political commentary. I think this has its dangers - the equation between fashion, politics, and art is problematic for obvious reasons. Nonetheless, the notion of politics as being de rigueur in the world of fiction is almost unthinkable. In fiction in America at the moment, the escape into whimsy is far more prevalent than the political.
In every man there is a hidden child which is called the urge to create and he prefers as play things and serious things not the miniature ships, recreated in the minutest detail, but the walnutshell with a bird feather as mast and sail and a pebble as the captain. He also wants to be able to participate and to co-create in art, rather than being simply an admiring viewer. For this "child in man" is the immortal creator within him.
I've always been interested in art and making things, but I chose not to go to art school because I thought I needed to do something else. Art was a tough way to make a living.
The core of the Marxist critique of capitalism is that although the individual capitalist is rational (as liberals assume), the capitalist system itself is irrational.
Expression is never considered a given, and it is in fact maybe not what's most interesting about making art. Making art, since 1960 or something, is many things: it's a way of doing philosophy, it's a way of opening a dialogue, it's a way of putting a fact or a question out into the world, or a way of drawing people into new relationships, or a way of interrogating history. It's all these other sorts of strategies or techniques or processes that are really interesting and really valuable.
I never really thought of myself as a musician. I'm not saying Sonic Youth was a conceptual-art project for me, but in a way, it was an extension of Warhol. Instead of making criticism about popular culture, as a lot of artists do, I worked within it to do something.
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