A Quote by Chogyam Trungpa

As in music, when we hear the crescendo building, suddenly if the music stops, we begin to hear the silence as part of the music. — © Chogyam Trungpa
As in music, when we hear the crescendo building, suddenly if the music stops, we begin to hear the silence as part of the music.
If you are involved with the intensity of crescendo situations, with the intensity of tragedy, you might begin to see the humor of these situations as well. As in music, when we hear the crescendo building, suddenly if the music stops, we begin to hear the silence as part of the music.
You have to get past the idea that music has to be one thing. To be alive in America is to hear all kinds of music constantly: radio, records, churches, cats on the street, everywhere music. And with records, the whole history of music is open to everyone who wants to hear it.
I think that if you hear music young, whatever music you hear influences you. I'm white, but I've been influenced by black music.
My husband is a composer, so he plays piano all the time and I sit there and clap telling my unborn child, 'Hear me clap, hear the music.' I know music, in general, is supposed to be good for babies to hear.
I think you can hear, when you listen to someone's music, whether or not they're enjoying making it - it's so great to hear music where you can tell the person making it was just having a blast. That's really important to me as far as my process goes. That's probably why my music ends up being so poppy!
England is so surrounded by the boredom of conventionalities, that it is all one to them whether music is good or bad, since they have to hear it from morning till night. For here they have flower-shows with music, dinners with music, sales with music.
I was raised a musician and I played classic music, violin, in orchestras and music comedy theaters, I have music running around in my head all the time, and if I hear music that's too interesting, I have to pay attention to it.
I just want people to hear the music the way it's suppose to sound, the way we meant for them to hear it. You sit in the studio all this time and make the music, tweak it, try to get it perfect. They should be able to hear it that way.
Jimi Hendrix once said, 'You will never hear surf music again.' Well, tonight, you will hear 'serf' music again - S-E-R-F music.
We deliberately used elements from Brazilian music and from African and Asian music. Now people can hear that but then it sounded so abstract, they couldn't hear it.
I'm a businesswoman. I am a music lover. I like for people to like my music. When you listen to top 40 radio, you hear pop stuff. You hear rock stuff. You hear all these different influences
I'm a businesswoman. I am a music lover. I like for people to like my music. When you listen to top 40 radio, you hear pop stuff. You hear rock stuff. You hear all these different influences.
I got so much love for classical music and I hear so much incredible music.You should know a bunch of music and have respect for all sorts of genres and styles of music.
there are two kinds of music - good music and bad music. Good music is music that I want to hear. Bad music is music that I don't want to hear.
Because music is a language unto itself, when I'm writing, I need silence. I need to hear the music and the rhythms of the words inside my thoughts.
Make the kind of music you love even if you never hear it on the air. This was the basic lesson I'd gotten from Alan [Lomax]. Alan said, Pete, look at all this great music around. You never hear it on the radio, but it's right there, great music.
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