A Quote by Choi Woo-shik

I'm grateful for the fact that I can choose from multiple genres and characters. — © Choi Woo-shik
I'm grateful for the fact that I can choose from multiple genres and characters.
Joe and I have always been drawn to ensemble storytelling. We like the idea of telling stories from multiple characters' points of view and thinking about the story from multiple characters' points of view.
I tend to favour films that have multiple plot and story lines, multiple characters and ensemble pieces.
The fun thing about writing a book with multiple paths and multiple endings is you really get to explore the characters and figure out their different fates.
I like the fact that a modern television and modern drama on cable has characters that are really intricate and deep and have multiple layers.
The question is grateful to who? You would think grateful to Allah, but Allah didn’t mention Himself. So it could be grateful to Allah, grateful to your parents, grateful to your teachers, grateful for your health, grateful to friends. Grateful to anyone who’s done anything for you. Grateful to your employer for giving you a job. Appreciative. Grateful is not just an act of saying Alhamdulilah. Grateful is an attitude, it’s a lifestyle, it’s a way of thinking. You’re constantly grateful.
I'm really grateful for the fact that I have full artistic control over my career. I can choose what film or TV projects I'm interested in doing.
Bollywood is such a space where you get to work with so many genres. Genres being pushed isn't the way of looking at it. In fact, I think Indie needs to be given a lot more focus or recognition.
The goal for me is always to have the opportunity to work in different genres. This is a great and exciting time in my career, where I can have the opportunity to work in different genres, and also I recognize there's not a lot of actors who have that opportunity and I'm grateful for it.
After Shakespeare, Dickens is the great creator of characters, multiple characters.
When I first started you would pitch a story because without a good story, you didn't really have a film. Later, once sequels started to take off, you pitched a character because a good character could support multiple stories. and now, you pitch a world because a world can support multiple characters and multiple stories across multiple media.
I'm grateful that so many viewers have related to characters I've played. I think many in the audience see themselves in my characters or feel like the characters are similar to their friends or sisters.
It would be great if we were on multiple planets, but I think that's unrealistic. Hawking says we have to be on multiple planets so an asteroid could come and you'd still have some humans left. It's a nice idea. It satisfies the multiple-eggs-in-multiple-baskets concept.
I am happy because I'm grateful. I choose to be grateful. That gratitude allows me to be happy.
I've always been incredibly crazy about the fact that I'd have any fans at all. It says to me that the characters that I choose are interesting to people and that's thrilling to me. It really is.
I do study Marcel Proust, for multiple technical virtuosities but also his swerve, as you say, between characters and in scenes. Certain films can help for that, too, in terms of understanding how multiple conversations at a table, or in a room, can take place and remain separate, and dissonant, and also gather themselves, accidentally, into a collective rhythm and an affect.
I'm open to different kinds of roles, characters and genres.
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