A Quote by Cholly Atkins
speaking with, uh, about the vocal choreography, one of the first groups that I worked with was a group called the Cadillacs, which was uh, an exceptionally talented group. They all moved well and they sort of established Cholly Atkins's style. In other words they basically put me on the map, and everybody would look at them and see their choreography and they wanted to know who did it, so they would tell them.
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Well, the difference in working with the Supremes and the other girl groups like Martha and the Vandellas, and the Marvelettes, you let the material dictate to you, uh, really, how you worked with the group, and with the talent, and the personalities. All of these things was instrumental in having all of the groups, uh, retain their own identity. Uh, and, and the material had a lot to do with it, you know.
It was obvious uh, that uh, the situation in Vietnam was far from stable in 1964 and that there, if in fact the United States was going to uh carry out its declared intent to uh, do its best to prevent uh, a Communist overrun of South Vietnam, uh, there would be at least hard choices to make, and there might be a choice for uh, stronger action.
People ask me, How would you do as a contestant on the show? And I tell them I would do fairly well among senior citizens, but against a good thirty-year-old I would have trouble because I cannot recall information as quickly as I used to. You used to say something and I would go, boom, right away, very sharp. Now it's like, Oh, yes, but wait a minute, uh, uh.
America is, is no longer, uh, what it, uh, could be, uh, what it was once was, uh, and I say to myself, uh, I don't want that future, uh, for my children.
Most people say that Asian or female artists should be sexy in America, but I don't think that I have to be like that. I have a tomboy style. My choreography is not that way. So, I want to focus on my music style to match the choreography, which is really cool. No girls can dance those moves. I try to make them really fresh.
Uh, excuse me, sir, I, uh, don't known how to uh, to uh, tell you this, but you were three minutes late. The schedule is a little, uh, bit off." He grinned sheepishly. "That's ridiculous!" murmured the Ticktockman behind his mask. "Check your watch." And then he went into his office, going mrmee, mrmee, mrmee, mrmee.
Like, when we did Parliament and Funkadelic and Bootsy, it was actually one thing. But there were so many people that you could split them up into different groups. And then, when we went out on tour and they [the record companies] would see us all up there together - we had five, six guitars playing at one time, not including the bass! -, they said: "Wait a minute, that's just one whole group, selling different names!" But it wasn't - we had enough people in the group that each member would have a section to be another group. So now we're finally starting to get them to understand that.
Me: Well, you see, I, uh, I'm a cancer survivor. Person #1: And how's that working out for you? Me: Well, you see, I, uh, used to have leukemia. Person #2: Dude, how come you're not, like, BALD? Me: Well, you see, I, uh, I had acute lymphocytic lymphoma when I was five. Person #3: Whoa. THAT must'a sucked. I once had my tonsils out.
In vocal choreography you had to give a lot of consideration to the fact that you were working with singers and not dancers. But you had to make singers look like they were dancers, and to make the movements as natural as possible, and there to be an association with the movement, uh, somewhat to what the lyric was saying.
I did not want vocal groups. I was not interested in singing with a group because there's too much problem with groups in the first place.
Pulp Fiction is a, uh, gritty, urban satire. Pump Friction is a uh-uh, a bunch of uh, dudes and ladies having dirty sex.
Safety lies in catering to the in-group. We are not all brave. All I would ask of writers who find it hard to question the universal validity of their personal opinions and affiliations is that they consider this: Every group we belong to - by gender, sex, race, religion, age - is an in-group, surrounded by an immense out-group, living next door and all over the world, who will be alive as far into the future as humanity has a future. That out-group is called other people. It is for them that we write.
I gotta work out. I keep saying it all the time. I keep saying I gotta start working out. Its been about two months since I've worked out. And I just don't have the time. Which uh..is odd. Because I have the time to go out to dinner. And uh..and watch TV. And get a bone density test. And uh.. try to figure out what my phone number spells in words.
It never worked having a management style where someone would try to tell us what to do. It's never been the sort of group that we are.
She, uh, came out of the closet recently, my niece. Um... She announced to the family that she's a lesbian and... She's seven, did I mention that? And, uh, I don't even know if she knows what a lesbian is, but I support her completely. And, uh... I'll tell you what's heartbreaking. My sister punished her for it. Can you believe that? No pussy for a week. Which to us may not sound like... But when you're seven, you know, a week is a long time.
Extinction has only separated groups: it has by no means made them; for if every form which has ever lived on this earth were suddenly to reappear, though it would be quite impossible to give definitions by which each group could be distinguished from other groups, as all would blend together by steps as fine as those between the finest existing varieties, nevertheless a natural classification, or at least a natural arrangement, would be possible.
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