A Quote by Cholly Atkins

Your background has a lot to do with your approach to movement. — © Cholly Atkins
Your background has a lot to do with your approach to movement.

Quote Author

When you sit in a café, with a lot of music in the background and a lot of projects in your head, you're not really drinking your coffee or your tea. You're drinking your projects, you're drinking your worries. You are not real, and the coffee is not real either. Your coffee can only reveal itself to you as a reality when you go back to your self and produce your true presence, freeing yourself from the past, the future, and from your worries. When you are real, the tea also becomes real and the encounter between you and the tea is real. This is genuine tea drinking.
When you are free of your self in your heart, your labouring within your self is therapeutic to your self. It is a constant blend into your self of what your own Being is. The movement of love, enjoying being at work in the self. The movement of love, enjoying making a change in your self. The enjoyment of application.
Do not try to approach God with your thinking mind. It may only stimulate your intellectual ideas, activities, and beliefs. Try to approach God with your crying heart. It will awaken your soulful, spiritual consciousness.
SEAL training was a great equalizer. Nothing mattered but your will to succeed. Not your color, not your ethnic background, not your education and not your social status.
Anything is possible. My background is a bad background, but a lot of people said I couldn't do it. You can do anything if you put your mind to it.
I speak of a clinical depression that is the background of your entire life, a background of anguish and anxiety, a sense that nothing goes well, that pleasure is unavailable and all your strategies collapse.
Your ecstasy is a movement towards the height and your meditation is a movement towards the depth. And once you have both, your life becomes a celebration.
[T]here's a genuine disconnect between the anti-choice movement and people who identify as 'pro-life' but aren't in the movement. ...[S]aying you're 'pro-life' is more about marking you as a member of a tribe, pledging fealty to your faith or to your identity as a 'conservative,' for a lot of people.
You have taught us much. Come with us and join the movement." "This movement of yours, does it have slogans?" inquired the Chink. "Right on!" they cried. And they quoted him some. "Your movement, does it have a flag?" asked the Chink. "You bet!" and they described their emblem. "And does your movement have leaders?" "Great leaders." "Then shove it up your butts," said the Chink. "I have taught you nothing.
Well let me just say, for a man, a lot of how your approach and you're dealing with women comes from your mom.
MeToo is a strong movement in Hollywood, but a lot of my fans and demographic are younger, and they don't really understand what's going on with it. I wanted to put something out for them, even for those who are 4 years old, that every girl is a super girl. No matter your age, your height, your weight, your color - whatever you are.
Fear is what activates your tools; your jab, your movement, your speed, your ability to absorb punishment.
The approach and strategies are very similar in that you gather all the information you can and then keep adding to that base of information as things develop. You do whatever the probabilities indicated based on the knowledge that you have at that time, but you are always willing to modify your behaviour or your approach as you get new information. In bridge, you behave in a way that gets the best from your partner. And in business, you behave in the way that gets the best from your managers and your employees.
I did a lot of short films online, so I come from that background where a lot of people see your stuff.
I came from a dance background, so that's what I did my whole teenage years. I was at the dance studio a lot. It just becomes your social scene and part of your life.
You don't really know how your film is going to turn out, but you can give it your best shot and hope the audience loves it. This has been my approach right from the beginning, and it's helped me a lot in my journey. All you can do is give the film your everything.
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