A Quote by Chord Overstreet

I talked to my agent and said that, basically, I'm the Taylor Lautner of TV. We both have our shirts off a lot. And we have the same agent, so we goof around about it. I'm waiting to open a script and see my shirt on.
It wasn't exactly a cattle call. I had an agent, and they were seeing people for the parts, so my agent said, "Here's the script, see if there's anything that speaks to you." And I did, and I called my agent and said, "I think this character Data is kind of interesting," and she said, "Well, okay, I'll get you the appointment with Junie Lowry." I had to read with the casting agent first, 'cause nobody really knew me then. Then after that, I had, I think, six different auditions for the role. And finally it was me [on Star Trek].
I have been called Taylor Lautner a few time which I'm quite happy about. You only have to look at us to see how funny that is but it's nice to pretend I might be hiding a Taylor six-pack under my shirt.
You know, Taylor Lautner, with a body like that, he should be taking his shirt off. For me, it's not so essential.
I signed with an acting agent first; I wasn't really interested in signing with a modeling agent. But that same day, they said, 'You should go over to Ford.'
My agent sent me the script and I loved it. I wondered how they would turn me into a chimp. My agent said it would probably not entail to much time. Just some hair and make-up. I found out that it was not so simple.
When I first went up to see my editor, I was with my agent, and my editor said, 'Well, what have you been doing all these years?' And my agent said, 'He's been in recovery. From his childhood.'
I had just come off my third consecutive failed television series. I had sworn off doing TV for a while. I was going to go to New York, sublet an apartment, and find my soul again. Before I got on the plane, my agent sent me the script for 'Psych.' I read it on the plane and realised it had a lot of potential.
When I read [the script] and saw that it was my fanboy wet dream of an Avengers script and that [Agent] Coulson was a big part of it, that was the great day for me. I just drove around the streets with the script in the other seat, giggling.
I tried for years to get an agent because I was told you needed an agent. The agent-hunting process was grim indeed.
We basically got a call from our agent that said we were on the list of directors that Marvel was interested in talking to about 'Captain America 2.' First of all, that was thrilling, having not lobbied for the job.
Motive may be inferred only when the stimuli in the agent's environment are open to view and the influences leading an agent to a particular action can be evaluated.
I was doing a lot of web design at the time. And anybody that has an agent thinks, "Why do I need an agent?" Maybe it's a little different as an actor - of course you need an agent - but any kind of agency that's selling something for you, you think, "Why can't I sell this myself? It doesn't make sense."
The way 'The Icarus Girl' came about was by me just basically bragging it with a literary agent and telling him I'd written 150 pages when I'd only written 20. And I think it was when the agent e-mailed me back right the very next day after sending him the 20 pages and asking to see the other 130.
I was quitting…As I was taking those steps I was saying, ‘Somebody please stop me.’ Lionel Taylor, our receivers coach, said, ‘Hold up a minute,’ and he sat down in the car and we talked. I don’t know what we talked about but I was glad we talked because I went back. And that’s when it started.
Social cognitive theory rejects the dichotomous conception of self as agent and self as object. Acting on the environment and acting on oneself entail shifting the perspective of the same agent rather than reifying different selves regulating each other or transforming the self from agent to object
When I wasn't working, I put the blame directly where it belonged - I blamed my agent. When I didn't have an agent, I spent time looking for a new agent so I would have somebody to blame.
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