A Quote by Chow Yun-Fat

Working in front of the camera keeps me alive. I couldn't care less about actors' trailers and food on sets and stuff like that - I just want to act. — © Chow Yun-Fat
Working in front of the camera keeps me alive. I couldn't care less about actors' trailers and food on sets and stuff like that - I just want to act.
I couldn't care less about actors' trailers and food on sets and stuff like that - I just want to act.
Working in front of the camera keeps me alive.
I want to prove that actors are good, not just at working in front of the camera.
I just want to do more work. Every time I step in front of a camera I feel young again. I really do. It keeps your mind active and it keeps you going.
With non-professionals, there's a lot of time you have to allocate to getting what you want with them, but also you cast based on who they are, to bring out their real personalities. So it's less about working on character and more about just getting them comfortable in front of the camera to be themselves, and understanding the process.
'Happy girls are the prettiest,' and to be in the camera frame makes me happy. I just want myself to keep working. I can be in front of the camera for 48 hours continuously without any breaks.
The actors feel very free. The actor, he doesn't need to think about where the camera is, he just has to focus on what he's doing and forget the camera. The camera is never in the perfect position, and I think this is what keeps this feeling of reality. The frame is not perfect.
I love the work, I love being in front of the camera and working with actors and directors and creating something. For me, it's like learning everyday.
What I love is a good role. In the theatre, there is just a canon of extraordinary roles, the quality of character is amazing, but I also love working in front of a camera. It was the first one for me; as a kid I was in front of a camera. I feel at home.
My preference will always be theatre because it's where my heart lies and it's what I started with and eventually I want to direct it. It's where my real interest is. But I just love trying out new stuff. Acting for me isn't just for me about being in front of a camera ... it's so much more than that. It's always about telling a story and there are so many ways of doing that, so I'll always want to try something else.
Just me existing, as an openly black transgender woman from a working-class background, thriving, is a political act. My brother always reminds me that if you are black in America and you're alive, you deserve a round of applause. There are so many forces that don't want us to be alive, and so just being openly who I am, and happy and thriving, is a political act.
My great joy in working on anything is stepping out in front of the camera and working with the actors.
When I was on 'SNL,' I was getting weirdly anxious about being on camera, which I had never really done before. And so my solution was just to not watch my stuff. And then I found out that other actors do it, too, and I felt less weird about it.
I got to draw monsters, robots and write funny stories. I loved doing that stuff and working with the actors. But it got to be less and less that stuff and more about trying to be everywhere and not being able to do one thing very enjoyably.
I care about the here and now. I care about what's in front of me. Am I having fun or not? That's all I care about. I just do what I want.
With directors, some have a kind of in-built ability to just know how to work with actors and get the best out of actors, and some don't have a clue about acting. I think it'd be a good idea if directors put themselves in front of the camera, or even went on a six-week drama course, just to know a little bit about what that feels like.
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