A Quote by Chris Abani

Much of the image of the amazingness of America comes from the movies into other cultures. And it's much the same thing when you reverse it. Much of Africa is presented through poverty, through drought and war. [But] you're not presenting people, you're not presenting countries, you're not presenting complexity, and so people can't care about an amorphous mass called Africa.
I've become really aware of all the subtle things you can communicate through the art and how you're presenting a character, particularly someone like Wonder Woman, who means so much to so many people.
I haven't traveled in Africa nearly as much as I'd like to. I've been there a few times, and I'd like to learn more about the various cultures in Africa. But that's the basis point of where all of the music that I love is based upon, from Africa to Cuba to Puerto Rico to South America.
I think that with Bob Dylan around, we're living in an era where we have Whitman presenting new work, we have Dickens presenting new work, we have Yeats and Shakespeare presenting new work. It's that level.
The great thing about theater is that you have so much time to prepare, and to fail, before presenting it to the public. In film, the high-wire act seems to be that much farther up, and the net seems to be less there.
Africa is going through its own historical process of state formation just as Europe and America did. It is just happening much later than other continents because of the interruption of Africa's own historical development by the colonization of Africa by Europe.
Presenting statues of honor to reporters for covering an earthquake is like presenting a first prize to a doctor for performing surgery.
I don't know very much about, honestly, about the Middle East, and yet I've played a lot of different people from a lot of different cultures. The thing that I notice is that we're all - there is a core of humanity that travels right through every culture. And, after all, we're all from Africa originally.
The fall of the Berlin Wall is very much a sequel, a continuation of the story about Eastern Europe emerging from war and Communism. The notion of presenting history as a story also appealed to me very much, since that is the way I look at the events I cover as a reporter.
Great art is not a matter of presenting one side or another, but presenting a picture so full of the contradictions, tragedies, [and] insights of the period that the impact is at once disturbing and satisfying.
People don't like preaching, but discussion, presenting a case, and that's important. Therefore, I think we need to learn to dialogue much more.
Housing is predominantly presented as a generational issue: millennials aren't able to get on the property ladder in the same way their parents were. But while it's true that intergenerational fairness is an issue, this way of presenting the housing crisis glosses over much.
There's the fine line between presenting your culture and learning about other cultures so it becomes global.
And now South Africa has finally woken up and it is doing great things. And if South Africa becomes the template to what AIDS is in the sub-Saharan continent, then all the other countries are going to follow suit. And Michel Sidibe, who spoke at the breakfast meeting this morning, was saying that there is so much hope for Africa now that South Africa has got its house in order.
Playing football and presenting TV are totally different things, but there are similarities: it's exciting, it can go well, it can go badly... the difference is when presenting goes badly, it doesn't really affect anyone's life, whereas when you have a bad day on the pitch, it affects people's moods for a whole week.
Jazz is known all over the world as an American musical art form and that's it. No America, no jazz. I've seen people try to connect it to other countries, for instance to Africa, but it doesn't have a damn thing to do with Africa.
The Democratic Party has lost much of it credibility with working class and low-income people. It retards progress toward presenting a genuine alternative.
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