A Quote by Chris Abani
Fire and Water are archetypes, the split sides of consciousness; one aware, the other, not. The two parts of us that desire synthesis, yet resist it: the self and the shadow. But they are also the element of chance, of the random roll of dice.
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If you roll dice, you know that the odds are one in six that the dice will come up on a particular side. So you can calculate the risk. But, in the stock market, such computations are bull - you don't even know how many sides the dice have!
[On the propulsive force of rockets] One part of fire takes up as much space as ten parts of air, and one part of air takes up the space of ten parts of water, and one part of water as much as ten parts of earth. Now powder is earth, consisting of the four elementary principles, and when the sulfur conducts the fire into the dryest part of the powder, fire, and air increase ... the other elements also gird themselves for battle with each other and the rage of battle is changed by their heat and moisture into a strong wind.
Growing up in a small town gives you two things: a sense of place and a feeling of self-consciousness - self-consciousness about one's education and exposure, both of which tend to be limited. On the other hand, limited possibilities also mean creating your own options.
The total possible consciousness may be split into parts which co-exist but mutually ignore each other.
Chris Hemsworth is like Christopher Reeve in that he can do two things: he can wear a big red cape without a shred of self-consciousness. But he's also funny as hell, and he's so sweet. So with all the fish-out-of-water stuff, he's so funny. So he does almost two jobs in a way.
Jung first gave us the term ‘shadow’ to refer to those parts of our personality that have been rejected out of fear, ignorance, shame, or lack of love. His basic notion of the shadow was simple: ‘the shadow is the person you would rather not be.’ He believed that integrating the shadow would have a profound impact, enabling us to rediscover a deeper source of our own spiritual life. ‘To do this,’ Jung said, ‘we are obliged to struggle with evil, confront the shadow, to integrate the devil. There is no other choice.’
Either one or the other [analysis or synthesis] may be direct or indirect. The direct procedure is when the point of departure is known-direct synthesis in the elements of geometry. By combining at random simple truths with each other, more complicated ones are deduced from them. This is the method of discovery, the special method of inventions, contrary to popular opinion.
Dissident Natan Sharansky writes that there are two kinds of states - “fear societies” and “free societies.”… The two societies make up two kinds of consciousness. The consciousness derived of oppression is despairing, fatalistic, and fearful of inquiry. It is mistrustful of the self and forced to trust external authority. It is premised on a dearth of self-respect. It is cramped …
In contrast, the consciousness of freedom … is one of expansiveness, trust of the self, and hope. It is a consciousness of limitless inquiry … It builds up in a citizen a wealth of self-respect.
From "Wetness and Water" How does a part of the world leave the world? How can wetness leave water? Do not try to put out a fire by throwing on more fire. Do not wash a wound with blood. No matter how fast you run, your shadow more than keeps up. Sometimes it's in front. Only full, overhead sun diminishes your shadow. But that shadow has been serving you. What hurts you blesses you. Darkness is your candle. Your boundaries are your quest.
Water is H2O, hydrogen two parts, oxygen one, but there is also a third thing, that makes it water and nobody knows what that is.
Random chance was not a sufficient explanation of the Universe---in fact, random chance was not sufficient to explain random chance; the pot could not hold itself.
An honest self-portrait is extremely rare because a man who has reached the degree of self-consciousness presupposed by the desire to paint his own portrait has almost always also developed an ego-consciousness which paints himself painting himself, and introduces artificial highlights and dramatic shadows.
Desire consumes you, it takes you over. You forget yourself completely. All you can think about is the other, the one you desire, your self is just a fire.
If you know your archetypes - and not just yours, if you know how to perceive the world in archetypes, through archetypes - everything changes. Everything. Because you have two things: you can see through one eye which is impersonal, and through the other, which is personal. That's the way the game is written down here.
I believe consciousness is non-local and a big part of what we experience with near death and past lives. It's the consciousness that has come into us from other experiences and our consciousness that we remain aware of when we leave our bodies and they communicate with us through dreams, and even through drawings which I do a lot of work with myself.
It's a roll of the dice in the movie business. I mean, every single movie is a roll of the dice. Any movie on paper could look like it's going to be fantastic. You know what I mean?
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