A Quote by Chris Blackwell
I never liked the whole thing about pictures with the artists. You look back at an Elvis Presley record, and you don't see any producer credits, because the audience is not supposed to know about the producer credit.
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That's my idol, Elvis Presley. If you went to my house, you'd see pictures all over of Elvis. He's just the greatest entertainer that ever lived. And I think it's because he had such presence. When Elvis walked into a room, Elvis Presley was in the f***ing room. I don't give a f*** who was in the room with him, Bogart, Marilyn Monroe.
Back in the day, even if they were singing about the same things, each artist was unique. That's why I try to stay away from the big-name producers, so I can prove that it's not about the producer, it's about the artist. A lot of R&B artists have gotten away from being artists and are just chasing after the next hot producer and it all starts to sound the same.
When you do a first movie, you're contractually supposed to do the second one and then you don't do it, you become an executive producer. That's why there are a ton of directors who have executive producer credits on other movies.
An actor like me hardly ever sees a producer. My agent will say, how about Coogan for the part. The producer will say yes. So you never see the producer.
A producer gets the whole vision done from top to bottom, to making the record to having the record delivered to the world. That's a producer.
I have a very long and beautiful love affair with Elvis Presley. I own every record he ever made, so I have about 150, almost 200 records of his. So much that I haven't even listened to all of them. I see an Elvis record that I don't have, and I'll buy it and put it in my collection.
I think a lot of people who watch TV don't realize when they're watch TV shows and it says 'produced by' and producer, producer... there are all these producers. What the hell does a producer do? It's funny how much you have to worry about as a producer.
My responsibility is to the artist first. There's something that artists intrinsically know about their music and their fanbase that neither the record company nor the producer really knows.
My mom took my sister and me to see Elvis [Presley] in concert when was, maybe 5 or 6, and I liked everything about it.
Elvis Presley's talent brightened millions of lives. He widened the horizons of my world certainly. The first record I ever owned was a 78 rpm of "Hound Dog" backed by "Don't Be Cruel" and when I listened to those tunes I felt about ten feet tall and I grinned so hard that I felt like the corners of my mouth would meet in the back and the tip of my head would simply topple off. All I know about Rock and Roll is that it makes people feel good. Elvis Presley more than made me feel good, he enriched my life and made it better.
The producer can put something together, package it, oversee it, give input. I'm the kind of producer that likes to take a back seat and let the director run with it. If he needs me, I'm there for him. As a director, I like to have the producer there with me. As a producer, I don't want to be there because I happen to be a director first and foremost, I don't want to "that guy."
That's my idol, Elvis Presley. If you went to my house, you'd see pictures all over of Elvis. He's just the greatest entertainer that ever lived.
Whereas my producer literally worked on this thing for 10 years and because I gave that presenter credit to David Lynch, she to this day never gets credit. It really kills me.
You always have to remember in this business that the public doesn't care about us. It's very important to keep that in mind. If there is a public perception at all, they see the producer as a big old guy who smokes a cigar and has lots of money and lots of power. That's not what a producer is and, if it ever was what a producer was, it certainly hasn't been for a long time.
Sometimes the producer has more say and the director takes what he is given. On other occasions, you don't see the producer very much and the director is the one who it is all about.
You need somebody to have the idea, you need somebody who can deal with the studio and the normal things, but it's too different of a credit. That credit is usually given to the executive producer. It's not the producer.
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