A Quote by Chris Bliss

A great piece of comedy is a verbal magic trick. — © Chris Bliss
A great piece of comedy is a verbal magic trick.
I had a point of view, which was different. I looked at magic as theater, as storytelling, and I tried to have an approach that was different from what they were doing. "How can I move people and really get them to dream with a card trick, with coin magic, or even a piece of stage magic?"
To do magic, to do great magic, he has to know himself as a piece of the universe.A piece of the universe?A little piece that has all the rest of it in it. Everything outside of him is also inside of him.
I'll probably stick to comedy for the time being. I mean, a great piece of work is a great piece of work, and I'm up for good work anytime. But I do love comedy!
The goal is to really blur the line. Can you perform a magic trick in a way that someone doesn't think it's a magic trick but is something amazing they haven't seen before? Then they have to wrestle with reality.
Everyone's life would be improved if they do could one great magic trick. And tell one great joke, play one tune on the piano, and do one great origami fold.
I had loved magic tricks from the time I was six or seven. I bought books on magic. I did magic acts for my parents and their friends. I was aiming for show business from early days, and magic was the poor man's way of getting in: you buy a trick for $2, and you've got an act.
My experience in work, even going to work with Scorsese, is that people always think there's some magic trick. There's no magic trick. The people who are really good at what they do do simple things really, really well.
Snatching the eternal out of the desperately fleeting is the great magic trick of human existence.
What's the trick to writing a genuinely funny comedy? The trick is therapy. Take notes.
Disappearing act? That's a magic trick, isn't it? I like magic tricks!
You know, I'm not very good at magic - I can only do half of a trick. Yes - I'm a member of the Magic Semi-circle.
One thing you learn doing magic tricks for a living is how close every performance of every magic trick is to disaster. There are no robust magic tricks. They're all hanging from a thread - sometimes literally.
I was considered a comedy magician. And - how do I put this without sounding egotistical? - it didn't take me long to realize that comedy magicians usually couldn't do comedy or magic.
Magic is the only profession where it's easy to lie about your talent. If you do a trick and you can learn it very quickly, you can fool somebody into thinking you're a great magician.
I liked the idea of having actual magic performed as stage magic, so you could assume that it was just a trick, that something is all smoke and mirrors, but there's that, like, feeling at the back of your mind: What if it's not?
The great trouble with magicians is the fact that they believe when they have bought a certain trick or piece of apparatus, and know the method of procedure, that they are full-fledged mystifiers.
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