A Quote by Chris Bohjalian

I loved all ghost stories. So I guess it was only a matter of time before I wrote one. — © Chris Bohjalian
I loved all ghost stories. So I guess it was only a matter of time before I wrote one.
I love ghost stories. I remember when I was about 12, I read M. R. James' 'Ghost Stories Of An Antiquary' under the covers, way too young to fully understand what was going on with those stories, completely terrified but absolutely loved them.
One of the very first ghost stories I read - and that was in a forest rest house, where it is a bit scarier - was by M.R. James. He is one of the pioneers of ghost stories. And the book was called 'Ghost Stories Of An Antiquary.'
As a child I loved ghost stories.
I have only read very classic traditional English ghost stories, other than Henry James, who wrote some magnificent short ones as well as the longer 'Turn of the Screw.' He, Dickens, and M.R. James are my influences.
I remember when I was about 12, I read M. R. James' 'Ghost Stories Of An Antiquary' under the covers, way too young to fully understand what was going on with those stories - completely terrified but absolutely loved them.
I always loved ghost stories and haunted house stories, whether they were done in a fantasy way or done in a realistic way.
My father, if anything, first and last, was a man of words. He loved stories; he didn't live for stories, exactly, but I think he lived through stories. I think, like many writers, he loved stories about things he had experienced as much as, if not more than, he loved the experiences themselves.
When we die, these are the stories still on our lips. The stories we’ll only tell strangers, someplace private in the padded cell of midnight. These important stories, we rehearse them for years in our head but never tell. These stories are ghosts, bringing people back from the dead. Just for a moment. For a visit. Every story is a ghost.
Long before I wrote stories, I listened for stories.
There is not a great Spanish tradition of ghost stories. But in the period of Franco, you'd find these ghost stories: sort of hidden political movies that were supposed to be about ghosts but were about something else.
I loved ghost stories, creaky staircases, stormy nights. If it guaranteed nightmares I read it by flashlight, after midnight.
You know, I've always wrote my best stuff when it takes me hardly any time at all. Actually I wrote.....this is actually a really funny story...'Ghost Of Vincent Price', I've been wanting to write a song about Vincent Price coz he's one of my favorite characters of all time.
[Robert] Aikman would write horror stories that weren't gore, they weren't slashers, and they weren't monster stories either. He called them ghost stories. The main thing about them was the vibe. It was really disquieting. He wanted to sketch the scene so that you could see it and know the characters and get a feel for the motion - and then ask yourself why and not get a final answer. Leave something that itches. I loved that!
In luggage claim at the Minneapolis airport, the guy came up to me and said, "Maybe you're wrong, maybe stories do matter." I wrote that on a scrap of paper and put it above my desk. That was the thing that pushed me through to the end of telling Despereaux, that comment, "Maybe they do...maybe stories matter."
I know what I miss as a cinemagoer is that balance of films that actually scare me, they're so few and far between. I loved ghost stories, I love horror stories, I love all of that stuff, but I really yearn for something to actually frighten me.
No matter how long my day job hours were, I always made time to write. I wrote fiction, short stories, and poetry. I never shared it with anybody.
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