A Quote by Chris Bohjalian

On the one hand, I'm this guy who grew up in the suburbs of New York City to very conservative parents, and the other side of me is fascinated by the peripheries of our culture, maybe because that's where our culture is most in transition and where there's likely to be conflict.
I'm from New York. I grew up there. I grew up in Westchester County, the suburbs. For me, that was always the best of both worlds. I was super lucky to have a place where I could pretty much practice drums unperturbed. Obviously there were neighbor's complaints, but not very often, and I could get to the city easily by myself or with my parents.
The things that inform student culture are created and controlled by the unseen culture, the sociological aspects of our climbing culture, our 'me' generation, our yuppie culture, our SUVs, or, you know, shopping culture, our war culture.
I had a friend write me that our music was being played at Gay Pride in New York, which is a big compliment. In the biggest city in the country with the most culture and the most grit - I love it.
London is the most multicultural, mixed race place on Earth. And I love that. I grew up in a neighborhood in London where English wasn't necessarily the first language - maybe because of that, I love to travel. Every penny I've ever saved has been spent on airline tickets to different corners of the world. I think that's partly from growing up in London. I've taken that bit with me - this ability to fit in with any culture and be fascinated and respectful with any culture all started from growing up in London.
Why did I become a writer? Because I grew up in New York City, and there were seven newspapers in New York City, and my family was an inveterate reader of newspapers and I loved holding a paper in my hand. It was something sacred.
Our music has gotten polluted today. We are straying far from our culture. Other people are trying to grab our culture, but we are very far from our culture.
My family were Conservative Jews. My parents were both born in this country, but my father grew up on the Lower East Side, and my mother was born and raised in Harlem when there was a large Jewish 'colony' there. Eventually, they moved to Jersey City to get away from New York.
If most American cities are about the consumption of culture, Los Angeles and New York are about the production of culture - not only national culture but global culture.
I grew up in - I personally grew up in a gun culture. I grew up in upstate New York where most families had guns for hunting, target practice, whatever. The vast majority of people I knew never used their guns for any crime.
I was born in Iran, left at a very young age-less than a year old-and grew up and was educated in the West. I grew up thinking of myself as an American but also, because of my parents and the Iranian culture that was in our home, as an Iranian. So if there's any such thing as dual loyalty, then I have it-at least culturally.
I grew up in New York City in Greenwich Village and had parents who were somewhat bohemian so I was always on the nonconformist side of the equation.
NSA is a very conservative culture legally. Our lawyers at NSA were notorious for their conservatism up through the morning of September 11th, 2001. The single most consistent criticism of the NSA legal office by our congressional oversight committee was that our legal office was too conservative.
New York is a much younger city that drives culture. In Paris, older women drive the culture - really drive culture.
My parents are my biggest influences. My parents and my city. Brooklyn, New York, New York City, the community I grew up. I don't feel like I'm special in that. I feel like that's everybody.
I do take for granted, probably, the fact that I grew up in New York City, one of the most liberal places on earth, with bleeding-heart, liberal parents who took me to see 'Rent' and Terrence McNally plays from a very young age.
I think this kind of bohemianism doesn't really exist in the New York city anymore - the bohemianism that I was trying to record in Carnegie Hall that completely defined our culture. The people who lived and worked in Carnegie Hall studios, they defined our culture in music, dance, theater, fashion, illustration. It wasn't so much nostalgic as a celebration of that and an acknowledgment of that and saying that it's really important. And it's actually something that is a loss for the city, I think.
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