A Quote by Chris Borland

I think the one thing I can say is not to play through concussions. I think that's unwise. — © Chris Borland
I think the one thing I can say is not to play through concussions. I think that's unwise.
I think, a lot of guys, when they get, you know, those hits or those concussions, they think, 'OK, well, I'm just going to kind of play through it here for the short term, and it's going to get better.' I would venture to say probably 100 percent of the guys that played my sport in the NFL have been there.
I'm concerned about the future of football, because we have paid a lot of attention to concussions. We are more aware of concussions. But it's really the repetitive minor injuries, the ones that are asymptomatic that occur on almost every play of the game, the sub-concussive hits: that's the big problem for football.
I don't think any of us knew the dangers of repeated concussions or the fact that even when you got a concussion, the idea to go get treatment for it never entered our minds. We just didn't have - we weren't educated enough. We were really ignorant to it. I would get concussions in my early 20s racing, and it was a bit of a badge of honor.
I always think that the deal, once I do the script, sort of the experience I go through writing, which is everything you can imagine, but I always think it's the one thing I can do when I'm directing is say is that it's all about the actors, that I can say, 'We're all here to serve the actors.'
The scary thing is I took 12 years of French, and I can barely say, 'My name is... ' And that's not because of the concussions.
I think that at the time, when I was first pregnant, it was hard to make the transition from being totally self-involved to not being able to think about myself at all. At the end of the day, I think that's the best thing that someone can go through. I think it makes you a better person. It doesn't mean that people who don't go through that aren't good people. For me, it was a good thing.
I think when you look at Little Mix you think pop, colour, you think fun - you don't really think that there are actual things that we all go through, but we all do go through things and we do have a lot to say.
Let me say one thing to clarify my position. I think we can take distance from norm but I think we are also mired in norm, "empêtrés", I think you say in French. And I think the choices we can make are only in a certain struggle with the norms out of which we're constituted.
I think it's important to play. I don't think the manager needs to give you a confidence booster and say, 'You're my main man; you're the best.' Everyone wants to play.
I just wanted to say one more thing: I also think that when you go to play music, you're there to play music.
Concussions is one of these pack journalism issues, frankly. There's no increase in concussions. The number is relatively small. The problem is, it is a journalist issue.
I think social media is a double-edged sword for athletes and celebrities. I think sometimes it's the worst thing. It gives people who are kind of cowardly the opportunity to kind of take an open shot at you or your family and say the craziest, most outrageous thing that they can think of, knowing that they would never say that to your face.
The thing is this: When I play, what I try to do is to reach my subconscious level. I don't want to overtly think about anything, because you can't think and play at the same time - believe me, I've tried it (laughs).
Guys go through concussions sometimes that aren't as noticeable. But they know - the player knows - and they want to go back in the game. You want to play.
I think the success of every novel - if it's a novel of action - depends on the high spots. The thing to do is to say to yourself, 'Which are my big scenes?' and then get every drop of juice out of them. The principle I always go on in writing a novel is to think of the characters in terms of actors in a play. I say to myself, if a big name were playing this part, and if he found that after a strong first act he had practically nothing to do in the second act, he would walk out. Now, then, can I twist the story so as to give him plenty to do all the way through?
I would say that an RFC-like thing might make sense. I probably would do it myself. But I don't think trying to combine that with what's going through now, I think what is needed now is liquidity.
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