A Quote by Chris Borland

If you turn on the film, I can play. — © Chris Borland
If you turn on the film, I can play.

Quote Topics

My first film was a Malayalam film where I played a small character and then my big debut happened in Kannada, which is also my mother tongue, in 2016, 'U-Turn' and since then my life has taken a different turn altogether.
The most common reason that I turn down a film project is because of my schedule. If I can't devote the time to a score that it deserves, I'll pass. I'll also turn down a film if its moral position is different than what my own understanding of right and wrong.
I'm aware that a film is different than a play, and that a film isn't going to be the filmed record of the play. It's its own separate entity, and I've come to peace with that.
Films make me into some cheap turn...You bet they'll never let me play a part in a film where a Negro is on top.
A lot of times, in film and TV, they just want you to play yourself. But, when you're someone who's more of a character actor, you get to experience what it feels like to play a bunch of different kinds of people. I find it more invigorating than challenging. I definitely trust the writers to give me the material that I will take and turn into the person that I'm playing.
The nature of the beast is that film is a director's medium. It's not a Tracy Letts play, it's a John Wells film. 'August: Osage County,' as a play, is done. Written. On the shelf. It'll be performed in its entirety for years.
When you're looking for good lyrics, you turn to Kendrick Lamar, you turn to J Cole, you turn to Wale, you turn to Chance the Rapper, you turn to Rapsody. You don't turn to Post Malone.
I became a film director, but I wasn't successful with my first couple of films, so I had to turn to becoming a film critic to make a living.
Plays are literature: the word, the idea. Film is much more like the form in which we dream - in action and images (Television is furniture). I think a great play can only be a play. It fits the stage better than it fits the screen. Some stories insist on being film, can't be contained on stage. In the end, all writing serves to answer the same question: Why are we alive? And the form the question takes - play, film, novel - is dictated, I suppose, by whether its story is driven by character or place.
I can't turn my aggression off and I can't turn it on; it's just instilled in me and that's how I play.
It's very important that a film that intends to play tricks on the audience... has to play fair with the audience. For me, any time you're going to have a reveal in the film, it's essential that it have been shown to the audience as much as possible. What that means is that some people are going to figure it out very early on. Other people not til the end. Everybody watches the film differently.
If we're going to be getting treated like that, why can't we treat the clubs like that? I just want to see the game and the players looked after the way they should be because the crowds don't turn up to watch David Gallop play... they turn up to watch the players play.
With Fever, the film was so made for the screen, and there's so much surround sound that was done for the film - enormous detail paid to that. I wasn't thinking video, because I didn't know how it was going to turn out.
I play the guitar. This year at the Sundance film festival, I joined the band from 'The Guitar' on stage. We warmed up for Patti Smith, and then the director Michel Gondry got on the drums to play some songs from the soundtrack to his film Be Kind Rewind with Mos Def. It was pretty mad.
I like to go from film to film, meeting new people and playing new roles. Because actors are like children: They want to play, and I like to play.
If were were in a film, the villain would turn out to be the least-expected person. But as we aren't in a film, I'd go for the character who tried to strangle you.
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