I love bouncing my words off of someone else's, and the fact that writing a story with someone else guarantees you'll get something you never, ever would have written on your own.
After writing for TV for a while, I got sort of fed up with all of the cancellations and the volatility in that industry. Also, you're always writing for someone else's character and story, and I really wanted to develop my own.
I'd always assumed I was the central character in my own story, but now it occured to me I might in fact be only a minor character in someone else's.
As a teenager and a young adult, I never felt like my own story was interesting enough to tell, so I always wrote lyrics from someone else's perspective - told someone else's story.
Freedom begins the moment you realize someone else has been writing your story and it's time you took the pen from his hand and started writing it yourself.
The same way that you are the main character of your story, you are only a secondary character in everybody else's story.
The same way that you are the main character of your story, you are only a secondary character in everybody else’s story.
When you are writing, you have to love all your characters. If you're writing something from a minor character's point of view, you really need to stop and say the purpose of this character isn't to be somebody's sidekick or to come in and put the horse in the stable. The purpose of this character is you're getting a little window into that character's life and that character's day. You have to write them as if they're not a minor character, because they do have their own things going on.
Even when I'm writing in character I'm normally still writing about things I know or things that have happened to me or using that character to start an exploration of my own consciousness. Really though, any character that you can examine is just an examination of a part of your own consciousness.
When you're writing something new, writing something that's your own, basically you have nothing else to do except either invent a trick, use someone else's trick, or have no trick and get a bad performance.
There's definitely a delicate line you have to walk in telling someone else's story that's not quite as delicate in telling your own story. I think when I'm working on a personal story, there's less pressure to try to get it exactly right.
It feels great and it's very beautiful when you can bring someone of your own nationality into a story, where even the historic element of it is important. I loved that I could use my own accent for the character.
You reveal your own character most clearly when you describe someone else's.
Wanting to be liked means being a supporting character in your own life, using the cues of the actors around you to determine your next line rather than your own script. It means that your self-worth will always be tied to what someone else thinks about you, forever out of your control.
Love is a story we tell with another person. It's cocreation through conarration. When you hit bumps in the road and challenges, you write a new chapter in your story together. Love is the constant act of revising and retelling your own story in real time. You don't do it by yourself. You do it with someone else. The only way you do that is to talk to each other and create a shared narrative.
Remember, passing judgment on someone else's character, is only a reflection of your own.