A Quote by Chris Cain
My top lady advice is to make eye contact early on - before introductions, even - and just never break it, no matter what she does. Keep that dead-eyed lock on her. Works like a charm.
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The Girl of the Period, sauntering before one down Broadway, is one panorama of awful surprises from top to toe. Her clothes characterize her. She never characterizes her clothes. She is upholstered, not ornamented. She is bundled, not draped. She is puckered, not folded. She struts, she does not sweep. She has not one of the attributes of nature nor of proper art. She neither soothes the eye like a flower, nor pleases it like a picture. She wearies it like a kaleidoscope. She is a meaningless dazzle of broken effects.
I will write a book one day about how I feel about every aspect of Emily Stone. She's a full genius. She has found her genius and is giving it all so fully and beautifully. I think everyone who works with her, brushes shoulders with her, or even makes eye contact with her, gets a shot of sunshine.
Wait. You don't understand. I just wanted it to stop. Wanted the hurting to stop." I smoothed a bloodied lock of hair from her eyes and felt very tired as I said, "The only people who never hurt are dead." The light died out of her eyes, her breath slowing. She whispered, barely audible, "I don't understand." I answered, "I don't either." A tear slid from her eye and mixed with the blood. Then she died.
Look, guys, no matter what a girl does, no matter how she's dressed, no matter how much she's had to drink, it's never, never, never, never, never OK to touch her without her consent. This doesn't make you a man. It makes you a coward.
If a girl breaks up with me, I want her to just die, just be dead. Not 'cause I hate her so much as it's just easier for when my friends go, 'Hey, what happened?' 'Oh, she's dead. I'd still be with her, but she's dead. What can I do? She was loving me, but she's dead.'
She is standing on my lids And her hair is in my hair She has the colour of my eye She has the body of my hand In my shade she is engulfed As a stone against the sky She will never close her eyes And she does not let me sleep And her dreams in the bright day Make the suns evaporate And me laugh cry and laugh Speak when I have nothing to say
When I was interviewing Hillary Clinton, I knew when I'd ask her something that she wasn't going to give me the complete truth because she would break eye contact with me.
Even when apologising, this guy turns on the charm. And the worst thing is that it works. She had reached a point in her life where she no longer expected anything from men, though that didn't stop her from falling in love with them.
The snow came up to the top of Georgie's calves - she had to lift her feet high to make any progress. Her ears and eyelids were freezing ... God, she'd never even been able to imagine this much cold before. How could people live someplace that so obviously didn't want them?
Girls will probably - if she's a lady - never do the No. 2 around you. If they're not a lady, she might poo. You might ask her, 'What's that smell?' And she'll be like 'I don't know!' But it really might be her. Because it happens.
I cannot feel like a duchess in my mother’s sitting room.” “What do you feel like, then?” “Hmmm.” She took a sip of her tea. “Just Daphne Bridgerton, I suppose. It’s difficult to shed the surname in this clan. In spirit, that is.” “I hope that is a compliment,” Lady Bridgerton remarked. Daphne just smiled at her mother. “I shall never escape you, I’m afraid.” She turned to Gareth. “There is nothing like one’s family to make one feel like one has never grown up.
I have such a great thing I want to do with Lady Macbeth - make her one of the witches - and I have this whole thing where she's very light and dressed in pink and dancing Gaelic dances and throwing roses, but then when her husband's coming home, she does incantations and pulls her hair back, puts on a black leather trenchcoat. I mean, I could tear it up if somebody would give me the chance! But do you think someone would ever let me do Lady Macbeth? I doubt it. But I'm going to keep talking about it.
I never get tired of looking at her [Catherine Keener] and it always surprises me, despite how many hours of film I've shot on that face. She's fantastic. She does comedy and tragedy so equally well. She wears her feeling so on the surface for both. I try to stop myself from casting her but I just keep coming back to her. She's just so fantastic to work with.
I watched Hillary Clinton. What a sad - what a sad situation. Every time I mention her, everyone screams, "Lock her up." "Lock her up, lock her up, lock her up," they keep screaming.
Now I’m just standing here on the conveyor. Along for the ride. I reach the end, turn around, and go back the other way. The world has been distilled. Being dead is easy. After a few hours of this, I notice a female on the opposite conveyor. She doesn’t lurch or groan like most of us. Her head just lolls from side to side. I like that about her. That she doesn’t lurch or groan. I catch her eye and stare at her.
How will a person know, Selina, when the soul that has the affinity with hers is near it?" She answered, "She will know. Does she look for air, before she breathes it? This love will be guided to her; and when it comes, she will know. And she will do anything to keep that love about her, then. Because to lose it will be like a death to her.
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