A Quote by Chris Carmack

Success has a lot of different plateaus. But I first felt really proud of myself when I was doing an off-Broadway production in New York City. — © Chris Carmack
Success has a lot of different plateaus. But I first felt really proud of myself when I was doing an off-Broadway production in New York City.
And I don't consider Broadway the acropolis of theatrical art. I mean Broadway is commercial - that's what it is. It's expensive seats and a lot of them that have to be filled every night. Off-Broadway and off-off Broadway as far as I'm concerned is in New York the pride of New York theater.
And I don't consider Broadway the acropolis of theatrical art. I mean Broadway is commercial - that's what it is. It's expensive seats and a lot of them that have to be filled every night. Off-Broadway and Off-Off Broadway, as far as I'm concerned, is in New York the pride of New York theater.
I started doing theatre, and that's when I really fell in love with the profession; I learned a lot. It felt a bit weird to go from living in New York on Broadway to university, so I kept putting it off. Then, eventually, I had to give up the place.
I used to do lots of independent films and for a while I was very content living in New York City and doing independent movies and off-Broadway theater. I loved it, I had a really good time doing that, and I worked on a lot of projects that are very dear to my heart, both plays and films.
I spent a lot of time in the trenches in New York doing a lot of off-off-off Broadway theater.
If you don't go to Broadway, you're a fool. On Broadway, off Broadway, above Broadway, below Broadway, go! Don't tell me there isn't something wonderful playing. If I'm home in New York at night, I'm either at a Broadway or an Off Broadway show. We're in the theater capital of the world, and if you don't get it, you're an idiot.
I'm very proud of my New York debut. I played Oscar Wilde in 'Gross Indecency' off Broadway in about 1997. And I was very proud of my Broadway debut in 'The Iceman Cometh.'
I went to grad school in San Francisco, and then left for New York City with my eye on Broadway. I had saved $5000, which seemed like a lot of money in my mind... until I realized it was going to take $2500 to get to New York and then the first and last month's rent.
I would absolutely be interested in doing a Broadway production if it was the right project. But my dream is to be writing pieces of theater for my best friends and putting on plays in New York City and seeing our vision come alive. I just hope to always be creating.
I obviously spent a lot of time in New York City, and I loved it, but Chicago has a very different history than New York City does.
Even before Pentatonix, I always thought that I would be out here in New York doing Broadway and doing musical theater. That was what gave me the passion for music in the first place, so it's been really, really, cool.
I know you only get one chance to make a first impression in a city - and I was so disappointed in myself for how that first season in New York had gone. It felt like a blown opportunity. It felt like I'd cemented my reputation in the opposite way that I'd wanted to. Selfish. Not a leader. Not a winning player.
Mid-'80s in New York was fantastic. I remember my first Gay Pride parade in the city. Where I grew up was very sheltered, so when I got to the city, there was this freedom and so much happening. At the same time, there was this pressure of AIDS and everything else. New York is so different today.
I felt a certain modicum of success because I had been paid well to be an actor for the first time in my life, but I felt like I had done adolescent work on the show, and stepping into the New York theater arena was the first time I felt like I'd come into my own. I felt like I was proving myself in a gladiatorial arena.
At first we didn't have a lot of access to New York City, but very quickly, I think people recognized if you were on the show that was a good thing. We always saw the show as a love letter to New York City.
I guess, technically, I went to a New York City high school, but I wouldn't call myself a New York City kid. But I've played against city kids all my life. So that kind of instills something in you.
This site uses cookies to ensure you get the best experience. More info...
Got it!