A Quote by Chris Carter
I grew up a child of Watergate. It gave me a good dose of skepticism about authority. One of my favorite movies is 'All the President's Men.' Woodward and Bernstein, those guys were my heroes. I have a degree in journalism.
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I think the media has become incredibly corrupt. We used to have a profound tradition of investigative journalism in the United States. Some journalists were real heroes, such as Bob Woodward who helped uncover the Watergate scandal. But today he is leading the opposite charge, trying to bring down the careers of people and score easy victories. In other words, those who used to bust the status quo have now become the status quo.
I sat next to Carl Bernstein throughout Watergate, and Woodward would come over, and they would argue everything out, so I was really tuned into what happened.
I didn't really see a way to make a living on the farm. I always loved writing. I was the guy who won the D.A.R. essay contest and things like that, and it was the era of Watergate, and I decided I would be the next Woodward and Bernstein, and then retire to the farm.
The biggest rap on me is that I don't find a Watergate every couple of years. Well, Watergate was unique. It's not something Carl Bernstein, I, or the Washington Post caused.
We were film geeks. We devoured everything: really obscure art films, foreign films. We were the kind of guys that lived at the Cinematheque. But at the end of the day, your favorite movies are like everybody else's favorite movies. Because those are the movies that become a touch point where you can connect to other people.
The really tough thing would have been to decide to take Woodward and Bernstein off the story. They were carrying the coal for us - in that their stories were right.
The big moment for me was making 'All the President's Men'. It was not about Watergate or President Nixon. I wanted to focus on something I thought not many people knew about: How do journalists get the story?
When I was very young, most of my childhood heroes wore capes, flew through the air, or picked up buildings with one arm. They were spectacular and got a lot of attention. But as I grew, my heroes changed, so that now I can honestly say that anyone who does anything to help a child is a hero to me.
I grew up bilingual, I grew up speaking Chinese in the home, Mandarin Chinese with my parents, and I learned English because I was born and raised in the U.S. That really gave me an edge. I understand that, from the experts, if you grew up bilingual, your brain kind of gets wired to accept a new language. It was a very serious deal because not only did I have to learn Russian to a high degree in order to function as a necessary member of the crew, but also I knew that the Russians that came over that made an effort and had some success in learning English, those were the folks we trusted.
Anyone who grew up in the crack era - you know, I grew up in that era - knew that there were also people out - and there are still guys to this day that are out there, you know, obviously drug dealing - but those were the guys who had access and had money. And some of those guys felt responsible to create opportunity for other people and were also aware of the dangers of their work and often aren't really the ones that are encouraging kids to get into drug dealing.
The guys I grew up with, my cinematic heroes, have always been men of few words, but of action. Clint Eastwood, Eli Wallach.
I never leaked information to Woodward and Bernstein or anyone else!
Poe was the first writer to write about main characters who were bad guys or who were mad guys, and those are some of my favorite stories.
The earliest movies that I loved were French movies and Italian movies. I grew up watching those kind of movies and often find the truest looks at human nature - you can find them in another countrys movies.
The earliest movies that I loved were French movies and Italian movies. I grew up watching those kind of movies and often find the truest looks at human nature - you can find them in another country's movies.
When I grew up Carl Lewis was still running, Maurice Greene was running - he was that figure I see, like Michael Johnson. I really wanted to look up to the fast guys - so those two guys were some of the guys I looked up to.
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