A Quote by Chris Chibnall

The great thing about 'Camelot' is that it is an adult drama. — © Chris Chibnall
The great thing about 'Camelot' is that it is an adult drama.
The extraordinary thing in all the versions of 'Camelot' and the Arthurian legend is that it's all about the romance and the passion. It's all about great ideals compromised by falling in love with the wrong person.
We didn't want 'Camelot' to become a period drama.
With 'Mismatched,' we hope to bring back the Young Adult drama/ teenage drama genre.
Comedy and drama are different sides of the same coin. And the thing about comedy and drama is about likability. It's about character first. It's about story. And for me, it's about empathy, and I think the realer someone is, the further you can go either way with them.
I had a great drama teacher, and he sort of made out drama school as this incredibly difficult thing to get into: 6,000 people apply every year, and some of the schools only have 12 places. It's a phenomenally difficult thing to get into. And that excited me - I wanted that challenge.
My fear of drama school is that the natural extraordinary but eccentric talent sometimes can't find its place in a drama school. And often that's the greatest talent. And it very much depends on the drama school and how it's run and the teachers. It's a different thing here in America as well because so many of your great actors go to class, which is sort of we don't do in England.
There's a great deal of love for one another on this club. Perhaps we're living in Camelot.
I think everything benefits from a little comedy. The worst thing to me is to see a great drama or a great thriller with no laughs.
I think the tricky balance, the most important thing more than the horror is to have a compelling story, compelling drama, a show about great characters that you care about and you want to come back every week to see what they're up to.
Drama is hate. Drama is pushing your pain onto others. Drama is destruction. Some take pleasure in creating drama while others make excuses to stay stuck in drama. I choose not to step into a web of drama that I can't get out of.
The Jewish culture has a wonderful thing about education. It has a great thing about family; it has a great thing about unity, hard work, dedication. I would like to say the African-American community should emulate that.
That is the really great thing about being an adult male, once you get married and have children the whole decision-making process is taken out of your hands, and I for one am extremely grateful.
The great thing about candy is that it can't be spoiled by the adult world. Candy is innocent. And all Halloween candy pales next to candy corn, if only because candy corn used to appear, like the Great Pumpkin, solely on Halloween.
That's the great thing about university: you've got people around you who are taking a risk and trying things out themselves. It gives you the confidence to try and take it to the next step, which was drama school.
The strange thing is, if I was speaking to drama students about the thing that you should do if you're lucky enough to know or to meet the character that you're playing, I'd say, 'It's obvious: you quiz them diligently about their experience.'
The basis of drama is... the struggle of the hero towards a specific goal at the end of which he realises that what kept him from it was, in the lesser drama, civilisation and, in the great drama, the discovery of something that he did not set out to discover but which can be seen retrospectively as inevitable.
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