A Quote by Chris Chibnall
At every point in 'Broadchurch' you're continually told and pulled back into the emotional cost.
Related Quotes
Features have a specification cost, a design cost, and a development cost. There is a testing cost and a reliability cost. ... Features have a documentation cost. Every feature adds pages to the manual increasing training costs.
The thing I get pulled over for in Kroger is the cost of health care and the cost of prescription drugs.
Everything he had ever done that had been better left undone. Every lie he had told — told to himself, or told to others. Every little hurt, and all the great hurts. Each one was pulled out of him, detail by detail, inch by inch. The demon stripped away the cover of forgetfulness, stripped everything down to truth, and it hurt more than anything.
Emotional sickness is avoiding reality at any cost. Emotional health is facing reality at any cost.
At the same time, we both pulled back briefly still oh so close. Everything in the word rested on that moment. "We can't..." He told me. "I know," I agreed. Then his mouth was on mine again, and this time I knew there would be no turning back.
If you look at a farmer and his daily expenditure on existing energy services, it is much higher on an incremental delta basis. And then there is an emotional cost of not providing their kids with the right to educate. If you calculate these costs in economic terms and create a financing mechanism for them to buy it, the emotional delta cost is much higher compared to their household.
I met Drew Barrymore, and she was so cool. She told me, 'I know I just had my baby three weeks ago, and that's why I'm emotional, but I cried when you performed.' And then she pulled out a tissue and said, 'Look, I was sobbing.'
The goal in any God-centered relationship should be to continually point the other person towards Christ, not continually draw attention towards you.
I think nearly every artist continually wants to reach the edge of nothingness - the point where you can’t go any further.
I realized we'd pulled into a parking garage. We drove around two levels, pulled into a spot, then immediately pulled out again. Along with four other black Bentley SUVs. "What's going on?" I asked, as we headed back toward the exit with two Bentleys in front of us and two behind us. "Shell game," he said.
I think for people that have supported the women's game for a long time, I think they understand the struggles that we have continually faced and that we've continually fought back against.
The reason I love travel is not just because it transports you in every sense, but because it confronts you with emotional and moral challenges that you would never have to confront at home. So I like going out in search of moral and emotional adventure which throws me back upon myself and forces me to reconsider my assumptions and the things I took for granted. It sends me back a different person.
The crucial point is always the own cost structure. Therefore I created a Low Cost alliance with air Berlin.
Every time I got 'Amazing Spider-Man' or 'Fantastic Four' or another book firmly on the rails, we got pulled into some big event book or crossover and it cost momentum and messed badly with the pacing and structure of the book.
I don’t have anger towards women. It’s the first script I wrote, I was really young. I got older. It’s told from an angry point-of-view. Young men are crazy strange emotional beings.
Price point is always important for mass market commodities. Look at the iPhone. It's expensive. But I think it is going to sell. It does something that people really want to do. People want to share it. It's an emotional thing that goes beyond the price point. It has emotional power. You are connected to it.
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