A Quote by Chris Chibnall

I think when you're writing anything you should never be thinking about hardcore genre fans. — © Chris Chibnall
I think when you're writing anything you should never be thinking about hardcore genre fans.
What is hardcore? Hardcore is not just being hardcore, hardcore is going in the ring and giving 100% of yourself. Hardcore is great fans.
The thing about science-fiction fans and "Star Wars" fans is they're very independent-thinking people. They all think outside the box, but they all have very strong ideas about what should happen, and they think it should be their way. Which is fine, except I'm making the movies, so I should have it my way.
I think there are fans who love the genre to begin with, and there are fans who love the comic book to begin with, but fans of the comic book aren't necessarily fans of the genre. There are obviously a lot of those people who love both, but I'm not a huge fan of that genre, personally.
I love the fans of genre. Genre fans are the best fans. They're loyal, they're dedicated, and they're passionate about the projects. They get it on a cerebral level. Being a part of that culture and that world... It's very gratifying and very fulfilling.
The thing about the 'Raw' after Wrestlemania, the thing is they are the real hardcore, hardcore fans. It's not your typical WWE audience.
I didn't do anything. People are thinking that it's something serious; I have not put my hands on anyone, didn't put anyone in danger. Since I didn't do anything like that, I'm not thinking about it. If I didn't do anything, why should I think about it?
I start writing with an open mind without thinking about genre and realise, only after writing, that it falls under many genres.
You should always think about the mainstream audience first and foremost, because frankly they are the people who are going to get the show recommissioned. There are not enough genre fans to support shows.
We should think more about it, and accustom ourselves to the thought of death. We can't allow the fear of death to creep up on us unexpectedly. We have to make the fear familiar, and one way is to write about it. I don't think writing and thinking about death is characteristic only of old men. I think that if people began thinking about death sooner, they'd make fewer foolish mistakes.
I think the line is where you're in the studio, you're creating. That belongs to you as an artist. Nothing should taint that. I shouldn't be thinking about what the fans want, I shouldn't be thinking about what the radio wants, what the label wants, what your manager wants, a song for the chicks, a song for the street.
Fans don't mind him doing a little touch-up work, but Jesus wants complete renovation. Fans come to Jesus thinking tune-up, but Jesus is thinking overhaul. Fans think a little makeup is fine, but Jesus is thinking makeover. Fans think a little decorating is required, but Jesus wants a complete remodel. Fans want Jesus to inspire them, but Jesus wants to interfere with their lives.
He was the fantasy of every girl in the country. He was so far out of realm, her world, that she should have stopped thinking about him the second the door had closed. Should stop thinking about him immediately. Should never think about him again, except maybe as a client - and her prince. And yet, the memory of his fingers against her skin refused to fade.
Poetry restores language by breaking it, and I think that much contemporary writing restores fantasy, as a genre of writing in contrast to a genre of commodity or a section in a bookstore, by breaking it. Michael Moorcock revived fantasy by prying it loose from morality; writers like Jeff VanderMeer, Stepan Chapman, Lucius Shepard, Jeffrey Ford, Nathan Ballingrud are doing the same by prying fantasy away from pedestrian writing, with more vibrant and daring styles, more reflective thinking, and a more widely broadcast spectrum of themes.
You should never start thinking about 'what might have been,' and you should also never start thinking about another boy when you're heartbroken over someone else.
The book is about zombies, in that it is the over-arching theme, but what's going on is the story of these people and how these survivors deal. I think that's so much more of an interesting story, and that's what really gets and hooks these readers into the book and the show. It's a mix of fans of drama, fans of AMC, fans of horror and fans of Frank [Darabont]. It's a lot of people just coming together and realizing a genre doesn't have to be fixed in one specific detail.
I had at some point the epiphany that if I wanted to be a writer, maybe I should stop thinking about writing, or stop writing about writing, and actually write.
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