A Quote by Chris Chibnall
It is a fact of broadcasting that you've got to get the big audiences for the channel that you're on.
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If you wake up in Moscow and put on the Science channel, it doesn't feel like an American channel, it feels like their channel. In fact, Discovery is Vladimir Putin's favorite channel.
They have an amazing proliferation of TV channels now: The all-cartoon channel, the 24-hour-science fiction channel. Of course, to make room for these they got rid of the Literacy Channel and the What's Left of Civilization Channel.
Seemed like everything I tried to do in broadcasting and as a player before that turned out successfully. I was succeeding. I got to the top of the heap in every facet of broadcasting.
I do think I had a big advantage for the first four years I was in broadcasting, that no one really saw me. One of the big disadvantages superstar players have is they go right to the 'A' game, or the studio. I got the obscurity, making mistakes, learning from them and surviving them.
With places like Spotify and YouTube broadcasting these days, you get a track made in San Francisco broadcasting in London moments later, so it's more global now.
There is not a single international foreign TV channel that is doing something other than promotion of the values of the country that it is broadcasting from.
Sometimes, big budget movies with big stars also flop, and sometimes small films manage to win the heart of audiences. Ultimately, it is the viewer who is the king and it depends on the liking of the audiences.
I was raised in a super-sheltered atmosphere where we didn't watch anything besides Trinity Broadcasting Network - which was called TBN - or the Fox News channel.
TV can reach broad audiences, mass audiences, niche audiences; it can be local, regional, national; it can be spots, sponsorship, interactive. It can be anything you want it to be. I tend to think of TV as the Swiss Army knife of media, it's got something for everybody.
I love to consume information of all kinds, and I think that also hopefully helps with my broadcasting, that I always try to bring up a fact that maybe will connect to a person who's not a big fan, or maybe a pop culture reference.
I don't get stage fright. I do get nervous before I play in front of big audiences [though].
It's Marvel movies that get the big audiences.
The fact that I have to set things to record seems idiotic. And channel guides - I get home, and I want to watch a Duke basketball game; why do I have to go hunting to find out what channel it's on? Why can't I just say, 'I want to watch Duke basketball.' Or, even better, why doesn't the system know that?
I feel proud of the fact that I did something differently in 'Brick Lane' and got so much of love, affection and respect from audiences and filmmakers there.
Like Tamil audiences, the Telugus, too, are welcoming of novelty. The fact that 'Arjun Reddy,' which had no regular songs, became such a big hit, says it all.
Beginnings and endings are not interesting; audiences want the high point, which means you've got to get to it and get to it now - get the gun out fast, the clothes off quick.
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