A Quote by Chris Chibnall
I mean, I'm always happy to be compared with Scorsese!
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When you make giant things for people, they don't always fit; they're not always happy with something that's that big or that kind of outrageous compared to what they usually wear.
I mean, Scorsese's a genius, and that's one way of shooting.
I always want to be the best at what I do. That doesn't mean compared to other people, but just in what you do.
I always had this idea that you should never give up a happy middle in the hopes of a happy ending, because there is no such thing as a happy ending. Do you know what I mean? There is so much to lose.
Being compared to such a player like Pirlo, a guy who has won everything in his career, that's very important for me. I'm very happy to be compared to Andrea.
Personally, I'd like as many children as I can pop out, I reckon. You come from a happy family; you want to create a happy family. And in the same breath, I'd like to be on stage at England's National Theatre, doing Miller and Chekhov. Give me a Sam Mendes/Tennessee Williams combination-that would be glorious. And to be making some Oscar-worthy movies with Scorsese. I'm always looking for the hard road. That way, you remain interested and interesting. Hopefully.
In Goodfellas they have this one scene where the camera goes down some steps and walks through a kitchen into a restaurant and the critics were all over this as evidence of the genius of Scorsese and Scorsese is a genius.
I would say, compared with the 19th century, compared with most previous history, this is as good or better a society than any which man has ever made. But that doesn't mean it is such a good one.
I mean as a human being I'm happy to be working, but, I look back on my career and I mean, you know, a lot of people worry about what didn't happen, but I'm just happy for what I've got.
Our professor was Marty Scorsese. Marty was a graduate student, or Mr. Scorsese, which is what I had to call him, and still do when I see him 'cause he gave me a C.
I knew nothing about editing when I met Mr. Scorsese... Through a series of weird events, I ended up at New York University, and there was Martin Scorsese, and he had some troubles with a film I was able to fix. That's the only reason I became a filmmaker.
It's always agonising to separate my life as an actress and personal life. Just because I'm happy with my acting life doesn't mean I'm happy with my personal life. I'm always making an effort to balance between the two.
I'm a De Niro fan. I went eleven years without seeing a movie; the last one before that, February 1980, was De Niro and Scorsese in 'Raging Bull,' and when I went back, it was 'Cape Fear,' with De Niro and Scorsese. I picked up right where I left off at.
Living in Pakistan, you didn't have a sense of how huge and varied America was geographically. I had visited once. I thought of it as this crazy, happy, exciting place where everybody's rich, and there's stuff everywhere. Compared to Pakistan, it's not untrue. Compared to Pakistan, the streets are paved with gold.
Martin Scorsese was very much the actor's director. We were all very in awe of Martin Scorsese.
Martin Scorsese was being given an honorary doctorate, and one of the tutors asked if there was a student film he particularly liked. He mentioned our film. There was a dinner after the final show just for the tutors, but I was smuggled in to meet Scorsese over dessert.
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