A Quote by Chris Chibnall
As a programme-maker you've got a responsibility to examine your choices and how they play in the wider world.
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We're not teaching our students the importance of relationships with other people: how you work with them, what the relational pathology consists of, how you examine your own conscience, how you examine the inner world, how you examine your dreams.
Were not teaching our students the importance of relationships with other people: how you work with them, what the relational pathology consists of, how you examine your own conscience, how you examine the inner world, how you examine your dreams.
It comes down to your decision-making and obviously you can get better and better as a decision-maker as you play, and get reps and go through experiences and learn but football's the same as life, you got to be a great decision maker to have success.
As a quarterback, you've got a huge responsibility: You're touching the ball every single play. You have such a big impact on deciding the game, just in your decision-making and how you are with the football and your fundamentals.
You create your reality according to your beliefs and expectations, therefore you should examine these carefully. If you do not like some aspect of your world, then examine your own expectations.
Examine what you do and examine what other women do. Examine the dreams that men hold of you and how they force you in a corner, literally and figuratively.
I want to play a man in uniform. I've got tremendous respect for that life that they lead. We know so little about it. It's never discussed or talked about, when they come back from battle. I want to examine the choices that have to be made in those terrible times. [...] I'll get to wear a uniform.
In heaven, there is no judgment, but rather an opportunity to examine our lives-who we touched, the choices we made, and the consequences of those choices.
I was always cycling for my dad. Then the coaches got bigger, and my results got better. Suddenly, the responsibility grows, and I'm doing it for somebody else, I'm doing it for a programme; I'm doing it for the country. I'm doing it for, like, everybody.
Maybe you should think about the choices in your life, how someone can come and spit some kind of game to you and make you doubt every single thing that is your life, your relationship, your appearance, your job, your ambitions, your marriage, and how those thoughts can lead to choices and behavior that you never thought that you were capable of.
You've got to learn the footwork, the positioning, how to box out, how to pass, how to shoot your free throws. All these things are necessary, not to be the No. 1 player in the world, but maybe you can play against him.
You don't know anybody is in the stands when you are out there on the field playing. You don't know what the number is or who, what, or whatever. You are playing and trying to give your best. When you are in the game you got so much going on in your head and your so attentive in listening to the quarterback call whatever shots he's going to call. Your mind is concentrated on your responsibility and what you have to do on every given play. You don't know anything else is around, but your responsibility.
I learned about choices and consequences and responsibility. I learned that we all have choices, even when we don't recognize them, and that those choices have consequences, not just for ourselves, but for others. We must assume responsibility for those consequences.
If you want to play the game and win, you've got to play 'full out.' You've got to be willing to feel stupid, and you've got to be willing to try things that might not work - and if they don't work, be willing to change your approach. Otherwise, how could you innovate, how could you grow, how could you discovery who you really are?
It's very, very important to me, no matter who the person is, to play that person with the utmost degree of truth that I'm able to bring. But playing a character like Jack Sparrow or Willy Wonka, that requires nothing but a degree of responsibility to the intent of the story - responsibility to the film-maker to deliver the goods.
If you're thinking of coming to America, this is what it's like: you've got your Comfort Inn, you've got your Best Western, and you've got your Red Lobster where you eat. Everybody's very fat, everybody's very stupid and everybody's very rude - it's not a holiday programme, it's the truth.
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