A Quote by Chris Claremont

The first challenge that every writer or creator of material faces is getting through the crowd so that the person you're trying to sell it to hears the pitch and is able to respond to it.
There’s a writer for you,” he said. “Knows everything and at the same time he knows nothing.” [narrator]It was my first inkling that he was a writer. And while I like writers—because if you ask a writer anything you usually get an answer—still it belittled him in my eyes. Writers aren’t people exactly. Or, if they’re any good, they’re a whole lot of people trying so hard to be one person. It’s like actors, who try so pathetically not to look in mirrors. Who lean backward trying—only to see their faces in the reflecting chandeliers.
Usually God favours the people who try to do good. So, when you find that the crowd is desperately trying to sell, help them and buy. When you find that the crowd is overenthusiastically trying to buy, help them and sell. It usually works out.
I do think there's a difference when you see a book where you can tell the creator's doing something they really love or are really passionate about as opposed to an artist or a writer who is just doing a particular job or trying to sell a product or trying to cash in on a popular trend.
I love a challenge, and trying to become the first person to break the speed of sound in freefall is a challenge like no other.
Even in a given territory what would work in one city in front of one crowd might not work in front of another crowd. Every crowd is different in what they are looking for and what they'll respond to.
As a preacher, I'm working with the crowd, watching the crowd, trying to bring them to that high point at a certain time in the evening. I let everything build up to that moment when they're all in ecstasy. The crowd builds up and you have to watch it that you don't stop it. You start off saying you've heard that tonight's going to be a great night; then you begin the whole pitch and keep it rolling.
Every creative person, and I think probably every other person, faces resistance when they are trying to create something good...The harder the resistance, the more important the task must be.
Formal is formal. I can't wear sneakers all the time. Sometimes, I wear other shoes. It's not my challenge designing formal - it's so boring - but it's still important. I sell a lot of classic black sneakers made from every material because everyone loves black, and if you mix and match material, you get an opera.
I got that nickname my first spring training camp with the Expos in 1974. Tim Foli, Ken Singleton and Mike Jorgensen started calling me 'Kid' because I was trying to win every sprint. I was trying to hit every pitch out of the park.
What we see is what they're trying to sell us. It's not true nostalgic as much as it is repeating old material because it's less expensive than new material.
A person does not hear sound only through the ears; he hears sound through every pore of his body. It permeates the entire being.
I went from being just a kid to all of a sudden not being able to walk a block without a man waggling his tongue through his fingers, which is disgusting. I mean, I was 13 and suddenly I'm trying to see myself through the eyes of men, trying to figure out why I'm getting this reaction from them versus just being able to walk through the world whole.
I feel like I learn every day how I can be a better producer or writer or storyteller. The thing that keeps me the most balanced is just going home every day and getting my ass kicked by my kids, and having a wife who is the most wonderfully/brutally honest person I've ever met. I think that that is always the first lens through which I see the world. For everything else, I'm just grateful for the people I work with.
When you start, it's not to do with the material so much. It's more to do with how you can control a crowd and make friends with an audience and sell your brand of humor.
Some people have a knack, for example, of being able to tell when someone's lying to them. They may not know what the truth is, but they can tell when someone is trying to lead them astray or sell them something shady. I think he had that ability to an amazing degree. I also think he thought, without saying it explicitly, that you can convince a crowd of something that's not true more easily than you can one person at a time.
Playing is no challenge; every time that you get a role you get to go play with other people in the sandbox and so there is no challenge, real challenge. The challenge, the major challenge is getting the work, finding the sandbox.
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