A Quote by Chris Claremont
The weird thing for me is I'm sitting there in the '80s writing about the Mutant Control Act and here we are in the second decade of the 21st century with the Patriot Act, listening to presidential candidates talk about building walls to keep people out: who's acceptable and who isn't. It's very creepy.
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People talk about the Patriot Act that was passed immediately in the wake of September 11. What the Patriot Act did was break down the walls between the various agencies.
People talk very much about, 'What can we do with the orchestra in the 21st century?' We should think about the 21st century, of course.
In the 20th century, we built a lot of walls - we endlessly tried to build walls between us and people we perceived, correctly or incorrect, as our enemies. In the 21st century, because of the advent of networks, the free movement of goods and people across the globe, we need to build security by building bridges instead of building walls.
I like hearing other writers just about the way they approach writing. It gives me energy for my own work. It's weird; I'm always taking notes about fiction when I'm listening to people talk about craft.
Presidential and vice-presidential debates are not about campaign staff or consultants, and it is high time we as a people took control and reminded them and their candidates of that important fact.
On Australia Day 2010, as we enter this second decade of the 21st century, Australians can be optimistic about our future, but we cannot afford to mistake optimism for complacency.
The first act is writing, the second act is filming, the third act is releasing. If you have to partake in the third act, it hurts the first act of the next one. It's like a prizefight. You get punched.
The sexual act - thinking about the sexual act, the telling about the sexual act, after the sexual act, is so much more important than the actual sexual act - just in time. It's like of the whole sexual act, you probably spend 95% of the time thinking about it, talking about it afterwards. The actually sexual act, especially when you're 17, is minutes.
I wanted at one point to act, which is a weird thing for men to want to do. It's a very vain profession. I don't mind women who want to act. That's fine. It's odd that men want to act, in that there's still a degree of vanity associated with it. It's like, "Put on some makeup, make me look good. Okay, now I'm going to roll my shoulder." Part of me still feels like, "Wow, that's weird for a man to do."
For me, writing is a solitary thing and a personal thing. And it's weird, because when you make something that requires money and collaborators, you have to talk about them. I don't enjoy that part of it. I still want to keep it to myself.
With the opening of the second decade of the twentieth century it seemed that the stage was set for the last act in an unquestioned evolutionary drama.
In the 21st century, we can't create security by building walls.
The Patriot Act has increased the flow of information within our government, and it has helped break up terror cells in the United States of America and the United States Congress was right to renew the terrorist act. The Patriot Act.
Personally there is first: imagination; second: the act of writing - and third: the act/act of vocalizing.
I was able to notice in a very early stage, there were discrepancies between the people who are writing the songs and discrepancies about the self that I was writing about. I was feeling that there were all these different people, both writing the record and having the record being written about them, even though ostensibly it was me sitting down and documenting a series of life experiences. Part of that, when I recognized this unconscious thing I was doing, was about these spaces, about these gaps.
I would far rather over-estimate the threat [imposed by the Patriot Act] and be proven wrong than to underestimate the threat and wake up one morning in a world where the 21st century's J Edgar Hoover has the power to blackmail anyone in America.
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