A Quote by Chris Claremont
If one were to go back to the '50s, the most popular TV genre on the air in the United States were Westerns. You could go turn on ABC or CBS on any night and you'd almost have three full hours of everything from 'Bonanza' to 'Rawhide' to 'Wanted Dead or Alive.'
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If you go to Australia, the Australian Open is on all day long on network TV. There's no way CBS, NBC and ABC would do that. They only show the finals. That's always been the case. They don't want to give the time to the biggest tournament we have in the United States. Any other country, it's everywhere -- front page of the main paper, front page of the sports section. We haven't had that here.
There is no other genre that deals with America better, in a subtextual way, than the Westerns being made in the different decades. The '50s Westerns very much put forth an Eisenhower idea of America, whereas the Westerns of the '70s were very cynical about America.
When I started out as an activist, the issues were much clearer. There's advantage to the new media, but on the other hand, you miss the ability to frame an issue that you had when there were just three TV networks: CBS, NBC, and ABC. So the whole world could see the same police dogs. The same Bull Connor and his white tank. Now you've got narrow-casting. The media is all fragmented. It's so hard to get people to focus in a sustained way.
Even 'Bonanza' was derivative of other westerns and, of course, other westerns were derivative of 'Bonanza.'
I didn't even think demographics until I got to ABC. They were the first to go for 18-to-49. But, at CBS, it was just, 'Let's get 'em in the tent.'
I decided to write Westerns because there was a terrific market for Westerns in the '50s. There were a lot of pulp magazines, like 'Dime Western' and '10 Story Western' that were still being published. The better ones paid two cents a word. And I thought, 'I like Westerns.'
There were 10 to 12 years where I averaged two to three hours of sleep a night. There were times when I didn't go to sleep for two days, but I'd usually crash one Sunday a month for 16 to 18 straight hours, and then I'd be rejuvenated.
The whole ecosystem of celebrity has broken down for writers. If you go back to the '50s, '60s, and '70s, writers were on TV a lot, and they were allowed to misbehave a lot.
There's some that came here never believing they were dead. They insisted all the way that they were alive, it was a mistake, someone would have to pay; made no difference. There's others who longed to be dead when they were alive, poor souls; lives full of pain or misery; killed themselves for a chance of a blessed rest, and found that nothing had changed except for the worse, and this time there was no escape; you can't make yourself alive again.
We talked to Sergei Bodrov who did "Mongel" who I thought was incredible. There was a lot of people who've done a lot of things that I really appreciate and then you go back to the Italian spaghetti westerns that our spaghetti westerns were based off of so I've seen everything.
We always had one eye on doing Saturday night TV even when we were back doing mornings. That's where we wanted to go to get a bigger audience.
At four o'clock in the morning most people have been asleep for hours, but at four o'clock in the morning the night-club children of a few years ago were just getting hot. The band jazzed at full blast. The air was so thick you could pick it up in handfulls and through it around like snowballs. The dance-floors were crowded with couples who couldn't do anything but wiggle hips and feet.
Theratre is not like like in film and TV, where you have to stop and go back and keep redoing the same three pages for two hours. You get to go through the whole 80 pages of the script, which is incredible. You get to keep acting on the feelings you had just moments before. You don't have to psych yourself up for the scene. You can just go off what you were already feeling.
Matt looked up kids from his high school class. Only three were listed as dead, but a bunch were listed as missing/presumed dead. As a test, he looked us up, but none of our names were on any of the lists. And that's how we know we're alive this Memorial Day.
I just watched so many Westerns as a kid that you end up using archetypes and sort of tropes of that genre, because there's a language there and you can twist it and turn it on its head or play to it or go sideways at any time.
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