A Quote by Chris Claremont
I will say there is only one caveat as far as 'Logan' goes: I got to the end and went, 'OK, what happens next?' To me, as an audience member, damn. If you can get to the end of the third act of a trilogy and your reaction is 'what the hell happens next,' someone did their job incredibly.
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When I was young, you went to school, dealt with your friends and drama, went home, did your homework, went to bed, and started over the next day. But that social interaction that happens at school doesn't end now - it goes until the minute you go to bed and starts again when you wake up.
I will respect Ferrari's decision for whoever is next to me and at the end it's my job to adapt to the person next to me and you can always learn from whoever is your team mate.
American sex is generally straight. It happens at 11 o'clock Saturday night. In the rural areas, it happens at nine and it happens pretty fast. Got to get up the next morning, especially if there're kids. Can't make noise, either, wake the kids.
As a filmmaker, it's not my intent to trigger or shape national discourse. My task is to make as powerful and understandable a film as I can. What happens next is what happens next.
Today's comedian has a cross to bear that he built himself. A comedian of the older generation did an act and he told the audience, This is my act. Today's comic is not doing an act. The audience assumes he's telling the truth. What is truth today may be a damn lie next week.
I think that's as far as you have to think, everything happens as a coincidence. It either happens or it doesn't. It's hard to map out a strategic plan by saying, 'If I do that, that's going to get me to the next level.' I think that's the wrong way to go into movies as an actor. It doesn't happen for me that way.
If you don’t include your women graduates in your breeding pool and leave them on the shelf, you would end up a more stupid society…So what happens? There will be less bright people to support dumb people in the next generation. That’s a problem.
EVERY MOMENT IN business happens only once. The next Bill Gates will not build an operating system. The next Larry Page or Sergey Brin won’t make a search engine. And the next Mark Zuckerberg won’t create a social network. If you are copying these guys, you aren’t learning from them.
If our players start to see coaching as a dead end, where is the next Ferguson, the next Clough or Shankly? It's sad. How will players see a pathway, how are they going to see a future if even the England job goes abroad?
Time," the Captain said, "is not what you think." He sat down next to Eddie. "Dying? Not the end of everything. We think it is. But what happens on earth is only the beginning.
What usually happens is that when I'm nearing the end of one novel a vague idea about what I want to do next begins to present itself to me in terms of theme. And I would say over about the next six to eight months, usually as I'm out power walking in the morning, or when I'm cooking at night, or when I'm driving in the car, the people who might embody those themes take on a sharper and sharper focus. And there comes this sort of critical mass moment when they actually start to do things in my head.
When you're a co-host, you've got to consider what the other person is saying and take the next step and get the laugh or get to the end of the story. You've got to make it happen and then move on to the next story.
Start taking your SELF to the next level so you can take your SUCCESS to the next level. It only happens in that order.
The first act is writing, the second act is filming, the third act is releasing. If you have to partake in the third act, it hurts the first act of the next one. It's like a prizefight. You get punched.
Somebody talked me into writing an autobiography about six or seven years ago. And I said I'd try. We talked into a tape recorder, and after a couple of months, I said, To hell with it. I was so depressed. It was like saying, 'This is the end.' I was more interested in what the hell was coming the next day or the next week.
The requests started coming in from other prisoners all over the United States. And then the word got around. So I always wanted to record that, you know, to record a show because of the reaction I got. It was far and above anything I had ever had in my life, the complete explosion of noise and reaction that they gave me with every song. So then I came back the next year and played the prison again, the New Year's Day show, came back again a third year and did the show.
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