A Quote by Chris Claremont

Comics are primal, down and dirty. — © Chris Claremont
Comics are primal, down and dirty.
Around comics, I've always been known for, oh, that's not dirty, this is dirty.
I think comics are really - superhero comics are at their best and most primal when they're about joy and flying, and about escaping the gravity of the world. But, at the same time, that's not to say all stories should be happy.
There are a lot of good comics, no doubt, but as far as the quality of the comics goes, I think what you have is a bunch of situational comics - there are black comics that work only black crowds, gay comics that do only gay crowds, and southern comics that only work down South, and so on with Asian, Latino, Indian, midgets, etc. The previous generation's comics were better because they had to make everybody laugh.
More and more, I tried to make comics in the way I like to read comics, and I found that when I read comics that are really densely packed with text, it may be rewarding when I finally do sit down and read it, but it never is going to be the first I'm going to read, and I never am fully excited to just sit down and read that comic.
The best moments in comics come from a primal image that captures the emotion and the conflict. What you add are the pieces that get you to the point and what happens next.
I had thought comics could only be one thing, and that was what mainstream comics were selling us. And the undergrounders proved anything you had in your head, as long as you had the skill to put it down on paper, was fair game. And I started filling sketchbooks with my own comics.
I walk into the kitchen, look at the typer down there on the floor. It's a dirty floor. It's a dirty typer that types dirty stories
When I think about political races, and certain consultants, the word that comes to mind is dirty. Dirty, dirty, DIRTY!
I like collecting comics, I like buying comics, I like looking at comics, but I also read comics on digital readers, so any way people read comics is fine with me. Digital is just helping people who might not necessarily have access to comics help them; that's great.
The whole thing about comics is the reason I think you shoot to be a comics author is because it's a very solitary activity and that you sit down and you're arguing with yourself that's kinda the plan.
I came up in comics doing lots of DIY self-published stuff, producing my own books, handling all the details of creation and production. And theatre is something that's really attractive to me, as it's a similarly accessible form - it has a lot of the same sort of down-and dirty DIY spirit, where you can make a lot with a little.
I get a lot of comics, and I can look at a comic and tell immediately whether I'll enjoy it or not. There are elements in the stories that I have no rapport with. I see dirty language, I see sleazy backgrounds; I see it reflected in the movies, the movies are comics to me. And I don't see a sleazy world. I see hope. I see a positive world.
There's two kinds of dirty - dirty and sewer-dirty. Danny Ferry is sewer-dirty and has been ever since he was at Duke.
Comics shouldn't be 'tools' for anyone's agenda except for the characters. And I am speaking only of super hero action comics. I love many of the alternative comics that are like journalistic stories. Documentary comics, a mix of reportage and fiction. Those are just great.
I quit comics in 1988 and trained as a bus driver. I used to drive those big Greyhound coaches out of New York Port Authority and down to Princeton, New Jersey. It was, hands down, the best job I ever had, and I profoundly regret having left it. I kept that job the entire time I was on staff at DC Comics in the '90s.
I find myself to be truly primal and passionate. Everything I do comes from a primal place.
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