A Quote by Chris Claremont

I never talk about work in progress because once I talk about it I don't do it anymore. — © Chris Claremont
I never talk about work in progress because once I talk about it I don't do it anymore.
On the contrary, it's because somebody knows something about it that we can't talk about physics . It's the things that nobody knows anything about that we can discuss. We can talk about the weather; we can talk about social problems; we can talk about psychology; we can talk about international finance gold transfers we can't talk about, because those are understood so it's the subject that nobody knows anything about that we can all talk about!
I hired a publicist once I got cast in 'Passing Strange,' and one of the first conversations we had was about how I wanted to handle talking about my sexuality. I said, 'It's never been an issue for me. I want to talk about my work, but if something about myself relates to my work, of course I'll talk about it.'
A lot of guys... they want to take the big shot, and they talk about it because they're scared of it. You never heard me talk about it. You heard a lot of guys talk about it. But you don't have to talk about it, because if you have the confidence in yourself, and your team believes in you, you don't fear anything. You don't fear losing.
I'm just gonna talk about being Nigerian-American. I'm gonna talk about being single. I'm gonna talk about what happened to me on the train today. I'm gonna talk about so many other things that, as a comic, you're able to talk about because you see the world in sarcasm.
I can't talk about Kathy [Jeung] anymore, because she doesn't want me to talk about her, and I'm not even sure that it's an ongoing relationship.
On one hand, I think it's very important to talk about race and talk about gender, because if it's not talked about, then we won't progress. What I have a problem with is when it becomes another form of tokenization, of shrinking me into a symbol instead of a multilayered, female Asian artist.
It’s hard for everyone isn’t it? Anyone who says it’s easy is a liar. There’s this huge divide between me and Alex right now because I feel like we’re living in such different worlds, I don’t know what to talk about with him anymore. And we used to be able to talk all night. He phones once a week and I listen to what he’s been up to during the week and try to bite my tongue every time I go into another Katie story. Truth is I have nothing other to talk about but her and I know it bores people. I think I used to be interesting once upon a time.
I never talk about what I'm writing about currently, never. It's private work on your own, no need or obligation to talk about it. Writers are made into performers these days, including myself, but there are some instances in which I will not perform.
I talk about jobs. I talk about education. I talk about making government work for people. That's really the dinner-table issues that I hear from Michiganders in every part of our state.
For me music is central, so when one's talking about poetry, for the most part Plato's talking primarily about words, where I talk about notes, I talk about tone, I talk about timbre, I talk about rhythms.
I never talk about my money! It is interesting how awkward it is to talk about it, even though I talk about it in the abstract every day.
When the magazines talk about artists they talk about the Paul McCartneys, the Paul Simons, they never talk about me. So their readers and contemporary artists are never going to check me out because they're not reading about me.
I belong to a bowling team with black and Latino coworkers. And when we get together and we talk about politics - I'm almost quoting him - he said, we don't talk about Black Lives Matters. We talk about what matters to our families. We talk about jobs, and we talk about the fate of the country. That is America, and you can reach those people.
The privilege I've had as a curator is not just the discovery of new works... but what I've discovered about myself and what I can offer in the space of an exhibition - to talk about beauty, to talk about power, to talk about ourselves, and to talk and speak to each other.
Why can't we talk about sex just to talk about it? Because it's fun and silly and gross and exciting and disturbing and confusing and totally hot, sometimes all at once.
We didn't talk about devil on the set. My mother and I didn't talk about it. Billy Friedkin and I didn't talk about it. It was a closet subject. But it was the best thing that happened because I had no idea what I was going.
This site uses cookies to ensure you get the best experience. More info...
Got it!