A Quote by Chris Claremont
The fundamental thing that makes the 'X-Men' different from every other series out there is it's all about prejudice. It's about a group of young people trying to make a place in a society that doesn't want them.
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For one, [ Freddie Roach] is wasting his time because I don't even read those reports. So that's the first thing. Secondly, I hear about them from other people around me and it doesn't make a difference to me. It seems kind of odd for him to be coming out so much and saying so many different things and every day it's a new thing. But like I said, I don't read them and I don't care about them and it doesn't make a difference come fight night.
I always say, "Don't let a 'no' or even a dismissal defeat you, let it be the fire that makes you want to go. Every time someone says, "No," that makes me even more determined. That's one of the things I want to try to teach young people. Oddly, the other thing I want to teach the young people is to get a hobby. That's what I first say: "Do something that brings you happiness other than acting, because this business is so fickle." I make blankets and stuffed animals. I don't know. I'm a weirdo.
To single out a particular group and say we can't make a joke about them is almost a form of prejudice and it's kind of patronizing.
All Fords are exactly alike, but no two men are just alike. Every new life is a new thing under the sun; there has never been anything just like it before, never will be again. A young man ought to get that idea about himself; he should look for the single spark of individuality that makes him different from other folks, and develop that for all he is worth. Society and schools may try to iron it out of him; their tendency is to put it all in the same mold, but I say don't let that spark be lost; it is your only real claim to importance.
The rules of the game in general are going to change for everything, not just menswear. People want to have fun with clothes. We sold out of the mirror suits in New York, and the black suits were still there. It tells me that men are looking for something that makes them feel good, makes them have fun, and makes them stand out. And it's all different sorts of men.
'Skins' is about a group of teenagers in Bristol, and it's all about what they get up to and all the different things they do. I think it's a good show because it's come from a very real place, and there's a lot of young people involved in the writing.
The core of Animal House was about prejudice, about equality, and about inclusion/exclusion. It was about a group of people who were together and anything went. Anybody who wanted in could get it in. Then there was that other group that nobody could get in, unless they were white, and just alike. It was very representative of the culture in the '60s, '50s, and '40s in America.
Young people want to learn, they are thirsty for knowledge, they want to understand and remember. The main thing is to teach them where not to go. Oppression, not to go; dictatorship, not to go; racism and prejudice, absolutely not to go. This is a moral plan [for society].
There’s only one Earth, and it’s tiny, but evil human leaders avoid problems they don’t want to resolve by giving them names which make the problems sound like they’re taking place in a different world: they make people not care about other people dying of starvation by calling the place the dying live “the third world.
Relate your ask to the group at large by using "we" instead of "I." So I might say, "We grew our traffic by X percent this quarter and it was awesome; I brought in X percent of that." It also helps when women make it about collaboration: This is not a battle - you want to work together with the other person to get to a place you are both happy with - so remind them you're trying to come to a mutually beneficial agreement.
If our show [Carpool Karaoke] shines, then I shine. I don't ever want to come out and make anything about me. I want to make it about them, make them the best that they can be. And the whole thing is a collaboration, those carpools.
There are things about the South - the politics, the classism, the racism - that I hate, and I want to be here to fight those things. I don't want to be in California or Michigan just complaining about them. I'm here trying to make a difference in the way I can, writing about it. And I want younger people, especially kids from my community, to see that being successful doesn't have to mean leaving a place like this. You don't have to trade in your family or your sense of belonging for that.
We can distinguish three groups of scientific men. In the first and very small group we have the men who discover fundamental relations. Among these are van't Hoff, Arrhenius and Nernst. In the second group we have the men who do not make the great discovery but who see the importance and bearing of it, and who preach the gospel to the heathen. Ostwald stands absolutely at the head of this group. The last group contains the rest of us, the men who have to have things explained to us.
The whole thing of what I’ve been trying,” you said, “is that you’re different, and you keep asking about the other girls, but what I mean is that I don’t think about them, because of the way you are.
Young people want to look like peas in a pod, and there is no use trying to make them different.
I get vested in my guys. I want to know who their family members are, I want to know their interests, I want to know what makes them tick. I want them to also know I care about the other side of them, their personal character and growth as men, because I think we all sharpen each other that way.
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