A Quote by Chris Claremont

The challenge is, in terms of a canon like 'X-Men,' it's more like 'Harry Potter' and Hogwarts, or 'Game of Thrones.' It needs time and space to evolve and to bring the reader or viewer in and give them a result that's worth the investment of that time.
As a teacher, I've never seen anything like 'Harry Potter.' That's why I smart when people talk about the 'next' 'Harry Potter.' There is no 'next' 'Harry Potter.'
I hope people will never stop dressing up as Harry Potter. It feels less to me like something you wear because you think it's a great costume idea and more like something you wear because you really like wearing your Hogwarts robe, and you really only get the one chance per year.
I was a Harry Potter nerd. Pencils were wands. I was going to Hogwarts. The whole thing. You don't understand what a nerd I am. I mean, if they remade them, I'd still go. Like, I've seen all of [the originals], and that's always going to be Harry. That's always going to be Ron and Hermione. But if they did it again, I absolutely would go, because I want to see it all again.
When Harvey Weinstein threatened to sue me, it was like the scene in 'Harry Potter' where an invitation to Hogwarts is coming in through every window and fireplace and every opening in the house.
I want my paintings to give the viewer a true sense of reality - that includes but is not limited to depth, scale and a tactile surface as well as the real sense of what the subject looks like and is feeling at the time that I painted them. There should be a discourse between the viewer and the subject, to feel as though they are in a way connected. My goal is not to set a narrative but rather to have the viewer bring their own experiences to the painting and the subject as they would if they had seen the subject on the street in real life.
Greyfriars School is like Hogwarts School in the Harry Potter stories and the whole world of magic is the world of J.M.Barrie.
If I could just get Broom to cooperate, we could fly, Glo said. Then we wouldn't have to worry about traffic. Harry Potter didn't have to worry about traffic. You relize Harry Potter isn't real, right? Of course, but he could be. I mean, maybe not Harry Potter, but someone like him. Who's to say?
Though I've been in horror movies, I just can't watch them. The first time I watched a 'Harry Potter' movie, I had nightmares for, like, two weeks.
Rowling is a luminous storyteller. I love her sense of humor and the intricate wizarding world she built around Hogwarts. I think all writers aspire to be like her, to capture readers like she does. But I didn't think about 'Harry Potter' when I wrote 'The Bone Season.'
It's like going back to school. You know, autumn! Time for 'Harry Potter'.
I need Harry Potter like a grindylow needs water.
People ask me if there are going to be stories of Harry Potter as an adult. Frankly, if I wanted to, I could keep writing stories until Harry is a senior citizen, but I don't know how many people would actually want to read about a 65 year old Harry still at Hogwarts playing bingo with Ron and Hermione.
For me, making time for God is like making time to fill my stomach - like the physical space in the stomach needs food, spiritual space in one's soul needs regular prayer.
Most of the time when people work with an artist, they don't give them what they need for the future, they give them what their last album sounded like. So it's like, 'Oh, One Republic needs a song, why don't we send them 10 that sound like 'Apologize?'
Like one time I was a fish in Noah's Ark and now I'm in Harry Potter, a big step.
So Harry Potter came in and it is nice that I have kids of the right age. I took them to London and they walked around the set and met Harry Potter and that is thrilling.
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