A Quote by Chris Claremont
When you're given the assignment to write, for example, 'Spider-Man,' the concept, characters and environment are all laid out for you. Everything is pre-established, and your sole responsibility as a creator is to craft an exciting, entertaining, hopefully original adventure, to add layers and colors to a canon that already exists.
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With Marvel and DC, you're working with their pre-established fictional universes and characters. At those places, you're working with characters who will outlive you and maybe your children and your childern's children. Batman will outlive me, Spider-Man will outlive me, the Avengers will outlive me, and so it goes.
When I write music, these colors pop out of me. It's hard to describe, but basically when I write music, I paint, and I add colors, and I add notes.
Marvel has this tradition, and I think that Sony has this tradition too, of hiring directors for Spider-Man who are dramatic directors. That are directors who are interested in human beings, in characters, in drama, and who are really good with actors. That kind of feels like a Spider-Man director to me. And because Spider-Man is always as big as the films that are being made at Marvel, it always is character and story. You can never take that out.
You have to add some sort of dimension to each of your characters because everyone has their own layers.
I wanna begin saying a story about my son. I have a four-year old son who loves superheroes from Spider-Man to Iron Man to Batman. He's got all the costumes. One day he looks at me and says 'Dad, I want to be light-skinned so I could be Spider-Man. Spider-Man has light skin.' That was sort of a shock. This is why I am excited to be a part of the Marvel Universe, so I could be hopefully provide that diversity in the role of the superhero.
Think of all your experiences as a huge tapestry that can be laid out in whatever pattern you wish. Each day you add a new thread to the weaving. Do you craft a curtain to hide behind, or do you fashion a magic carpet that will care you to unequaled heights?
Since the purpose of reading, of education, is to become good, our most important task is to choose the right books. Our personal set of stories, our canon, shapes our lives. I believe it is a law of the universe that we will not rise above our canon. Our canon is part of us, deeply, subconsciously. And the characters and teachings in our canon shape our characters--good, evil, mediocre, or great.
It's one of the reasons why Spider-Man: Homecoming is so exciting. Because it's a new genre for us, a new character, the first time that Spider-Man is in our cinematic universe and you can see what he was meant to be in the comics. He's such a young teenager in comparison to these other heroes. But I think, because we're film fans who go and see everything, it's much more natural that you're inspired by other work. And then of course that influences your work, and the way you make films.
Every generation has their favorite Spider-Man television show. For a lot of us, it's the one that has the song, 'Spider-Man, Spider-Man, does whatever a spider can.'
Sears had layers and layers of people it didn't need. It was very bureaucratic. It was slow to think. And there was an established way of thinking. If you poked your head up with a new thought, the system kind of turned against you. It was everything in the way of a dysfunctional big bureaucracy that you would expect.
There's just nothing funnier or crazier than that - doing your Broadway debut as Spider-Man in 'Spider-Man' the musical. It was, like, the last thing I could have ever possibly imagined happening. I mean, I would tell people I was playing Spider-Man, and people would just break out laughing because it was so ridiculous!
When you do an animated series and add characters who are not from the canon, you really have to win over the hardcore fans.
To modify the conditions of the Earth's movement is beyond the powers of man. It is not given to mankind to change the order established by the Creator in the system of the Universe.
In America, where writers are preoccupied with the craft of writing, I always try to introduce this concept of the badly written good story. Turning the hierarchy around and putting passion on top and not craft, because when you just focus on craft, you can write something that is very sterile.
'MyMusic' is a great showcase of what we can do as creators on a modest budget when we're given the opportunity to put together a television-sized project, and hopefully, whether it's 'MyMusic' making that transition to television or having something sprout off from it, it's an exciting time to be a creator.
You can't write for the cultural environment - if you do that, by the time it comes out, that cultural environment has passed. You have to be aiming for something that's original - that's the only way you can have any kind of impact.
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