A Quote by Chris Cooper

Well, all I can say is thank goodness I had 15 years of theater before ever I did film roles. You build technique that you can rely on. — © Chris Cooper
Well, all I can say is thank goodness I had 15 years of theater before ever I did film roles. You build technique that you can rely on.
Well, all I can say is thank goodness I had 15 years of theater before ever I did film roles. You build technique that you can rely on
Before I did any television or film, I did years and years of theater. Television and film stuff, even though it went on for a good, healthy number of years, almost felt like a diversion from theater.
I stayed well clear of roles like 'Top Boy' for years before I did it, but I had to do it because the script was amazing. It was the most authentic thing that I've ever read when it comes to that sort of life.
People say, 'Oh, you do theater!' And I say, 'Honey, I do theater to get better TV and film roles.'
When I was younger, I definitely thought musical theater was sort of more pure than film. I used to say I'd never go to film because we had to get it right the first time in musical theater. But then, of course, I started doing film and realized I loved it. Keep in mind that I was 8 years old when I said that.
Thank God for jazz. It gave black women what film and theater gave white women: a well-lighted space where they could play with roles and styles, conduct esthetic experiments and win money and praise.
I started in theater; I did theater in New York for 14 years before I even thought about doing movies - I never thought about being in a film; it just never occurred to me.
Theater roles are written by the great masters. The greatest literature that you can possibly know are the theater roles like King Lear, Hamlet, and all of those great roles. So all you do is you dive into these unchallenged roles and see how far you can get, what kind of accolades you can get, and how good you can be in them. In movie roles, you can actually improve them by knowing a lot about your own stage technique, which helps a great deal in the cinema and how you can project inner humor even though the particular dialogue is not necessarily funny, but you can infuse it with humor.
I started off in theater; I did exclusively theater for four or five years. In the last few years, television has come along but I can still make film. I feel very privileged that I can move between them.
I wouldn't say anything I ever did in film would be something I'd use the word proud about. I've done better work in the theater.
[Out To Sea] began a relationship I had with [director] Martha Coolidge for a few years that was wonderful, and she certainly cast me in the best roles I've ever had in film.
I did theater for 15 years, and I spent a lot of time as an understudy.
I've dedicated more than 15 years to this theater and television thing; I want to spend the next 10, 15 years or so devoted to music.
The best time to start promoting your book is three years before it comes out. Three years to build a reputation, build a permission asset, build a blog, build a following, build credibility and build the connections you'll need later.
The first really important book I read about filmmaking was The Film Technique by Pudovkin. This was some time before I had ever touched a movie camera and it opened my eyes to cutting and montage.
Most people haven't seen my dramatic work, but I did 10 years of theater before I ever became a comic. I'm just better known for comedy.
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