A Quote by Chris Cornell

There's sadness to anyone that dies before their time, and specifically ones that seem to affect people in a positive way. It doesn't matter if it's Whitney Houston or a nameless, faceless person on the street. That's just as big of a tragedy for me.
I tried a couple of pop writers - none of the big, big, big ones - but it didn't work for me. I do have a commercial voice; I'm not quirky. I'm very normal and that's probably why I like people like Barbra Streisand and Whitney Houston. It's no-nonsense. They sing well, and that's it.
I was just so honored to play the role of Cinderella and to just be the first African-American princess, that's just historic for me, that's such a mark in my life and my career and then the bonus of just working with my favorite person in the whole world, Whitney [Houston], like her voice just did something to my spirit.
I'm a person who wants to affect a lot of people's lives in a positive way. That's what God put me on earth to do.
To me it's a two-way street. They're good to me, and I'm good to them. It's a natural thing for me to love people, and I think people sense it. ... I am secure with the kind of person I am. I don't feel like I'm better than anyone, but I'm just as good as anyone.
What if Whitney was at her top, and we brought in a name like Whitney Houston, it would sell.
I want to write for big names like Whitney Houston and The Backstreet Boys.
There are two women that I am really in love with that I wish I could have dressed: The first one is Marilyn Monroe, and the second is Whitney Houston. People always ask me who's going to be the next, and I never know, but I know I would love to have had Marilyn and Whitney wear Balmain.
When Whitney Houston died, I felt great sadness. My sadness, of course, was about our collective loss - when you listened to this nightingale sing, your body would drop into a chair, your head would tilt up, a small smile would creep across your face, and inside you knew that there was a higher power somewhere: gifted, beautiful, spiritual.
With sadness specifically, in America you read about people medicating to avoid sadness. They don't want to experience sadness, and yet it's such a vital part of being human.
It’s when I have to acknowledge the past and all of those nameless, faceless people I’d assassinated, that I unravel inside.
I was doing gigs at 16, belting out all the big ballads like Whitney Houston and Mariah Carey.
I don't take karaoke seriously at all. I'm not the type of person who will go and belt out Whitney Houston.
I'd always sing 'Greatest Love of All' by Whitney Houston. I just want to make clear, though, you know those people on 'Star Search' who are the little 7-year-olds that sound like Christina Aguilera? That wasn't me.
My introduction of Whitney was that if there's going to be one performer for the next generation who combined the beauty and lyric phrasing of a Lena Horne with those Gospel fiery roots of an Aretha Franklin, it would be Whitney Houston.
I have to always, always pay homage to a woman I never met but she touched me like she touched so many others with that amazing voice, Whitney Houston. The very first time I heard her voice, I knew I wanted to make people feel that way. Even if I couldn't do all of that that she did, the way she was able to tell my story without even knowing me, the way she could feel what I didn't know how to express, it was spiritual almost.
I choose to think of tv audience as nameless, formless, faceless people who are all like me. And anything that I write, if I like it, they'll like it.
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