When you start your first band and it has an impact on the rest of the world you go through a lot with those guys and you become very protective of that legacy.
Usually when I start a new project there's a fear of the unknown; maybe it's a band I've never been in the studio with before. People are so different. It's almost like you need to go through the process, discover and unlock what it is that makes that band that band. And a lot of times they don't know it.
I think any time you bring those guys in, one with a lot of playoff experience, with rings - those guys won - guys in the locker room gravitate towards those guys. Those guys have been there, so there's a lot that they can teach the guys.
A lot of guys go through ups and downs in their careers, and sometimes those downs are like horrific and they can really change you. A lot. And so when you go out there and do something like score a touchdown and have a good game, you appreciate it so much more when you've been through those valleys in life.
A lot of guys you see go through their whole careers and not get an opportunity. I don't want to be one of those guys.
As you get older, your songwriting starts to become less and less about you, and especially when you have kids and a family. You start to see the world through other people's eyes a lot more to the point where it's hard to go back and relate to that "me against the world" perspective that I think a lot of my earlier songs were about. It's not so much about "me against the world," it's, how do you make the best possible future for your kids to grow up in?
When guys are in NXT - not me, but the guys who are signed to developmental deals that are there - they're setting up the ring. They're tearing it down. They're working every day at the PC. And it's arduous training, man. Those guys go through a lot.
My boys - T.J. Ward, Aqib Talib, Kayvon Webster, DeMarcus Ware, all those guys - I built very, very close relationships with those guys, and I would like to continue to build that for the rest of my career.
Once I start writing about somebody, I become very protective of them.
Right now the best way that I can impact the world is through entertainment. One day, and that day will come, I can impact the world through politics. The great news is that I am American, therefore I can become President. But don't forget: I am G.I. Joe.
Your life matters. You can't live through a day without making an impact on the world. And what's most important is to think about the impact of your actions on the world around you.
When you start writing, you have your characters on a metaphorical paved road, and as they go down it, all these other roads become available that they can go down. And a lot of writers have roadblocks in front of those roads: they won’t allow their characters to go down those roads... I’ve never put any roadblocks on any of these paths. My characters can go wherever they would naturally go, and I’ll follow them.
Revamp is a band that would deserve the hundred-percent devotion a band needs, and at this moment, I don't see any future for another band next to a band such as Nightwish, and with the ambition to become a mother, I will have to let Revamp go, which is a very sad decision.
When you are a rookie you are going through everything for the first time, your first DNP, your first not seeing eye to eye with a coach, first understanding trades happen, guys making more money play more. I was overwhelmed. I had a lot of maturing to do.
I think I'm the first 1990-born guy to win a Masters 1000, so it's quite special to be the first one in a very strong group of guys. There are a lot of guys playing great, and hopefully there are going to be a lot more coming.
Strategically, horror films are a good way to start your career. You can get a lot of impact with very little.
Every person has a legacy. You may not know what your impact is, and it may not be something that you can write on your tombstone, but every person has an impact on this world.