A Quote by Chris Cornell
When we've toured with Skid Row and G N' R, we probably turned a few people on to our music, but I get the feeling at one of those shows you might snag maybe 10 percent of the people out there.
Related Quotes
We can assume that for every 100 people who wanted to say something to their favorite performer, maybe only ten actually got out the stationery. And of those ten, maybe only four get the letter to the mailbox. So, out of all those fans, maybe only four percent are actually sending you anything. And maybe you have read it. Or not.
I think all of us set out to try and reach as many people. That's the whole point of being in a band: trying to get your music out there. So, any opportunity to do that, within reason. We're informed about where our music is going to be used; we get to say yes or no. There are things we can turn down, and there are things we can agree to. When it comes to movies and stuff like that, it's great for us. I don't think it's selling out. Maybe 10 or 20 years ago it was seen as selling out, but nowadays I think it's the only way to get your music out there.
My advice is if we can't replace Obamacare by ourselves, to go to the Democrats and say this. 10% of the sick people in this country drive 90 percent of the cost for all of us. Let's take those 10 percent of really sick people, put them in a federal managed care system so they'll get better outcomes, and save the private sector market if we can't do this by ourselves. That's a good place to start.
It's the same with this idea of a literate public, and also of a democracy in which people have access to and really read the best books. It turns out that even when you create this kind of environment, maybe only 10 percent of the people want to read those books.
Ability to download music for free might not be positive for the artists to get royalties, but in some ways it's still good that people can get your music, and hopefully in the course of that, people will want to see you live, around the world shows. It might get you to where you get to travel all over the planet. 'Cause now people are hungry: "Oh, I wanna see this guy, I wanna hear this music live, I wanna see if they're gonna remix it or funk it up differently when I see them."
I think musicians should stay off television generally. I get asked all the time. Those shows are just promoting insipid comedies. Who watches those shows? And whoever does I don't think my music would speak to those people. I don't even want those people to hear what I'm doing.
You go down to Skid Row and you see literally hundreds of people and not just men, but women and children as well. It's really a tragedy that our society has come to that.
There are certain shows or people that I would love to work with. One of the greatest things about our business is that if you get to fan out on people you might actually get to meet.
There's something about TV shows and the format that becomes a bit more personal. People watch two, three in a row before they get out of bed on their laptop or when they get home from going out and before they go to sleep. People make shows part of their daily routine, and that makes them take ownership of it. If you're so arrogant as to call yourself an artist, you can't ask for anything more than that.
I hope that if the people who read my work encounter people in the real world who are like the characters that I write about, that maybe that might make them feel empathy for those people. I know it sounds idealistic in a way, but I do hope that my work maybe changes some minds, and that my work makes readers see people as human that maybe before they read my work they might not have seen as humans, and those people include me and my family and my kids, people in my community.
The older I get, the less I negotiate. When you first start out, it's 90 percent negotiation and 10 percent suggestion. When you get to a certain point, those figures reverse.
My mum literally drives into Skid Row every day and manages teams that are assembled to walk around and engage with usually chronically homeless people and try to get them into permanent housing.
Sometimes people are surprised to learn that most of the films I've made don't work. They've been released but nobody has ever seen them. Maybe 40 percent of them are very successful. That's a very high percentage; most people have maybe 10 or 15 percent of their films work.
People are released from prison so unprepared. They give you $200. We call it gate money. And you have to pay for a bus ticket back to L.A. You get off the Greyhound bus, downtown Skid Row, and you're supposed to make a life from that.
Once in a while you get people that maybe because of economic reasons, or have a social network, they get attracted. But it's a very tiny percent so that when we look at, you know, who are pastors and who are the head clergy of these congregations, they're overwhelmingly white, just a few African Americans, and those folks are usually called to what were formerly white congregations, or they started interracial church from the get-go.
I made practice runs down to skid row to get ready for my future.
Related Authors
Ani DiFranco Quotes
American
Musician
Bob Dylan Quotes
American
Musician
Brian Eno Quotes
British
Musician
Bruce Springsteen Quotes
American
Musician
David Bowie Quotes
English
Musician
Drake Quotes
Canadian
Musician
Elton John Quotes
English
Musician
George Harrison Quotes
British
Musician
Henry Rollins Quotes
American
Musician
John Lennon Quotes
English
Musician
Madonna Ciccone Quotes
American
Musician
Moby Quotes
American
Musician
Nicki Minaj Quotes
American
Musician
Patti Smith Quotes
American
Musician
Thom Yorke Quotes
English
Musician
Tori Amos Quotes
American
Musician