A Quote by Chris Cornell

An acoustic show is all about you, and any little nuance or mistake is amplified. — © Chris Cornell
An acoustic show is all about you, and any little nuance or mistake is amplified.
In the early days, I had very little idea about arrangements, and I wrote songs a little flat, as it were, just on an acoustic guitar. They didn't really have quite enough nuance.
I'm looking forward to some more solo acoustic dates. That's a lot of fun for me, because I get to be alone with the song. And I get to hear every little nuance; if my instrument does something that I wasn't expecting, I get to chase that. Chase that down a little bit.
I often enjoy singing in an acoustic setting more than an amplified one.
One of the strange things about doing publicity is that a mistake in a newspaper profile long ago is repeated and amplified over time.
I love the tone of old, non-amplified, real acoustic fiddles, and Wood Violins are the closest thing I have found to that sound. They play beautifully!
You especially want to strive for that nuance on a show like 'The Flash,' which is different from 'Legends' in the sense that it's really, at its heart, a smaller show. It's a more intimate show, in a way.
Neighbors are far better acoustic analyzers for determining the quality of their life versus any acoustic instrument left unattended by an expert.
A mistake I've made is I have not worried sufficiently about the art world, really. I have not concerned myself with the other people in the art world. I've been a little too singular, and that's a mistake I've made. But everybody makes a mistake of some kind, and if that's my only mistake, I'm happy.
Acoustic ecology is the study of information systems: the shared acoustic environment and how species send and receive messages in this shared acoustic environment. What these messages mean - meaning, what are the consequences and the changes of behavior in any species. And it has as much to do with us individually and biologically as it does with the shaping of cultures and beliefs.
Creatively, I'm not one to advocate people knowing every little nuance about you sometimes.
I'm glad I can do both full-band electric and solo acoustic performances. It's nice to have contrast, so if you get fed up with one, you can just switch to the other one. It's great to go to a town and play an acoustic show, and then you can come back a year later and play electric, and the show's really fairly different. The repertoire will be 50 percent different. The musical energy is completely different.
I'm pursuing soundtrack work in the southern California area and down the line I plan to make a moody, intense acoustic album. Not all acoustic, but an acoustic - oriented guitar record that I've already written most of the material for.
There are no moral lectures in 'Lookaway, Lookaway;' there aren't even any lessons. But there is passion. It is a work that hides its craft but never its beauty, that is ambitious but never pretentious, that does not sacrifice nuance for power or power for nuance.
As a songwriter, I've got a lot of facets, so to speak. When you come to a live show, you get a better sense of that, because you'll see me performing a piano ballad and some acoustic songs and some not acoustic songs, all in the same set.
I play acoustic when I need to play acoustic, and I say I'm probably a better acoustic player than I am electric.
Television is apparently the enemy of nuance. But nuance is essential for a thoughtful discussion.
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