A Quote by Chris Cornell

When I met my wife Vicky's family, I had to go out of my way to convince them, to show them, that I wasn't anything like their idea of a musician. — © Chris Cornell
When I met my wife Vicky's family, I had to go out of my way to convince them, to show them, that I wasn't anything like their idea of a musician.
So, we come out to Los Angeles. And we met with every network. We met with show runners, directors, writers, everything. And what we had an idea for, they didn't like. And what they had an idea for, we didn't like. So, we went home.
I think if you're going to abuse someone, you really have to convince them of two things. First, you have to normalise what you're doing, convince them that it's not that bad. And the second thing is to convince them that they deserve it in some way.
There won't be anything we won't say to people to try and convince them that our way is the way to go.
At a certain point, you have to convince the actors that you've done the right thing. The way I work, if I can't convince them, I've got to move on. I can't coerce them or browbeat them.
Sometimes it works out well, and certain household responsibilities fall naturally to those who like doing them. For example, my wife likes to pack suitcases, I like to unpack them. My wife likes to buy groceries, I like to put them away. I do. I like the handling and discovering, and the location assignments. Cans - over there. Fruit - over there. Bananas - not so fast. You go over here. When you learn not to go bad so quickly, then you can stay with the rest of your friends.
I was sad to see anybody leave, we had a very nice family on that show. I was very sad to see momma go, Victoria and especially Linda. My god that was my wife on the show, in fact my wife calls her wife.
When I first left Indianapolis, I was only 20 years old and moved out to Utah and had no friends or family there. I had my teammates but I was the youngest player and everyone had a family so video games and being able to play them with my friends, it was like I was hanging out with them.
Along the way, we have had some wonderful adventures and have met thousands of dedicated fans - indeed, many of them feel like family to us now.
I've got an amazing family. My wife is really smart. She's guided me the whole way. With children, you see them grow up, so it's like you're forever young. They are totally innocent and so unjaded. Watching them grow up makes you go through it again yourself.
One way to show someone you love them is to simply go out of your way for them. It's the gift of inconvenience.
I look at some of my fans at my show, and a lot of them look like they're straight out of a punk rock show. They like what I'm coming across with. I had seen them same thing when I went to this Scarface show, so it lets me know that I'm on the right track.
I had to first convince them [prostitutes] that I wasn't a journalist who would yet again put out a notion about them they wouldn't necessarily care for or who would victimize them. You know, journalists come and go. If they come twice, it's a lot. But I come 10 times and hang out with them and share stuff. If you connect with someone just once, that's something. But if you can connect twice, that's something else.
None of my family had anything to do with show business, my life was totally foreign to them.
Like Netflix, Looker started as nothing more than an idea. Lloyd Tabb and Ben Porterfield were two brilliant engineers who had figured out a better way for businesses to see and analyze their data, and they asked me to join them to help out with the ABCs - that's short for Anything But Coding.
As for people who are politically backward, Communists should not slight or despise them, but should befriend them, unite with them, convince them and encourage them to go forward.
For most of my films, I've had to go out and start shooting before I could get the rest of the funding. That was the case with 'Hoop Dreams,' 'Stevie' and 'The Interrupters:' We started them quietly out of Kartemquin Films, only really going to funders once we had something to show and a firm idea of what the film might be.
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