A Quote by Chris Cornell
Bands work in a way where everyone, at some point, has to have a similar idea of how you do things.
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When I was a kid, I was playing in various bands - amateur bands, garage bands, weekend bands, you name it, around the area. At some point, I just wanted to try the whole 'Beatle tribute band' thing, so I found a local band that was doing that.
Everyone needs some trial and error figuring out how it's gonna work for them. I could have gotten that out of the way a little sooner but I think you're totally right, the way I kind of think about things and the way I wanted to put myself out there doesn't fit the traditional side of things. I needed things like podcasts and YouTube and things that allow you to get it out there yourself and stand in the flames.
What I do, basically, is look at things from different angles. That is what I do on stage comedically, and that is what I do in art. I was always fascinated by the structure of things, why things work this way and not that way. So I like to see how things behave if you change the point of view.
Sex is more openly spoken about than 40, 50 years ago, and I think probably in comparison to a lot of bands - certainly other contemporary pop girl bands - we're certainly not as suggestive. We talk about sex in the way that we would to our friends. As a girl group, I think it was important not to avoid those sort of things either, because it's about confronting people's idea of what women should be talking about and how they should talk about it. There's no point in shying away from subjects like that, because they exist.
You think to yourself, “If one drink feels really good and two feels really, really good, a hundred ought to feel fantastic.” As sane people know, it doesn't work that way. A hundred drinks feels terrible. Bad things happen. But the addict keeps at it, thinking at some point it's going to get good again The point is to not feel what you're feeling. The problem is, you become someone you never thought you would become, and you have no idea how you got there.
In terms of work, I would like to work on a biopic and some people that I have met have mentioned that my life, in some way, is similar to Mumtazji. She was also a dancer and then became an actress so in that way, I relate with her. So I think if I get the chance, I would like to work in a biopic on Mumtaz.
When you're doing an action set piece, it's very similar to choreography in a way because it's shot that way. It's meticulous how it's rehearsed. I mean, you have no idea.
I think everyone's trying to come up together and bring up other bands along the way, and we've always been really blessed to have bands like Metallica and Iron Maiden take us under their wing and say nice things about us.
Just like on Guitar Hero, there are things that are similar and things that are not similar at all. When I first played DJ Hero, I wasn't very good. The control surface is similar in some ways to a turntable, but in other ways not at all the same.
The novel is like a melancholy form. It's about some kind of disillusionment with the way things are versus the idea of how they could be or how they used to be.
Whether it's at their job, or their family, whatever - everyone feels that they're stuck in some kind of struggle. The idea is how to find your way out of it.
Pearl Jam is a band I have a lot of respect for. Nirvana and Sonic Youth I feel the same way about. Mumford & Sons, My Morning Jacket, Wilco, Givers, and Foo Fighters are just some of my favorites. I respect bands that give me something of themselves that I can feel. ("Posing" bands turn me off generally speaking.) It all has to do with a feeling I have about them. That is what music is to me, a feeling. It's similar with people too.
For me, at some point, the idea of struggling through the process was not as interesting as doing tests and executing the painting after I figured out all of its elements and how they were going to work together.
I can say is our point of reference - and I think that does make us different from some bands and similar to other bands too. But it's just that spirit - it's sort of like a punk spirit - but it's not punk meaning or as in like "I'm here and I'm going to get thrashy and bloody on-stage" - but, we're not going to listen to the rules and the roles already set in place. We just want to make music that is heartfelt and feels good and sounds good to our ears, and hopefully to many other's ears as well.
I can show bands how to produce themselves. In the same way, many bands think you can't make it without some fat cat in London or New York to manage you. Thats just crap. All you need is someone a bit older than you with a bit of business nous whom you trust.
I can show bands how to produce themselves. In the same way, many bands think you can't make it without some fat cat in London or New York to manage you. That's just crap. All you need is someone a bit older than you with a bit of business nous whom you trust.
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