A Quote by Chris Cornell
What formed me as a musician, a songwriter, the sound and personality of my band, a whole lot of that happened well before 1991.
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I feel like my whole life I've been searching for what I want to do, searching for my identity as a musician and a songwriter, and my band's identity.
The whole punk scene is, of course, responsible for the Go-Go's ever getting created. Because before punk rock happened, you couldn't start a band if you didn't know how to play an instrument. But when punk happened it was like, 'Oh, it doesn't matter if you can play or not. Go ahead, make a band.' And that's exactly what the Go-Go's did.
My dad was all about music. He was a musician, leading a band when I was born. His band was active all through the 40s. He'd started it in the late 20s and 30s. According to the scrapbook, his band was doing quite well around the Boston area. During the Depression they were on radio. It was a jazz-oriented band. He was a trumpet player, and he wrote and arranged for the band. He taught me how to play the piano and read music, and taught me what he knew of standard tunes and so forth. It was a fantastic way to come up in music.
Neil's effect on the band was immediate and very fulfilling. He adds a certain edge to the sound and, of course, he is an incredible musician. We became a better band because of the inclusion of Neil Young.
Being famous before you've formed your personality, before you have that self-esteem, is dangerous.
I wanted to be a writer since I was a little girl - long before I was a musician and a songwriter.
I've grown in a lot of ways - as a musician, as performer, as a songwriter.
There's a good sarcasm and a camaraderie that comes after being in a band. And we've known each other forever. We've never been a band that fought or argued. As a songwriter, I'm really happy that the boys support me and contribute and that, but I've always wanted to be under the band Stereophonics.
Since my father is a musician as well, he taught me growing up that if you can play jazz, you can learn all instruments and write on them. He wanted me to be a songwriter that can do anything in any genre. I'm all about doing every genre.
I think when you leave a band in any situation that you are a part of.. I mean, when I was with It Bites I was a quarter of something, and when I was with Robert Plant I was a sixth of some- thing and when you leave you become the whole thing. So just after you spend time realizing what you are, and it just happened that I was doing that in my life as well as musically, it kind of happened at the same time. I was getting to a point in my life where I was beginning to realize who I am, and I like me.
A lot of your personality is formed before you're 12, obviously, but only a few of my plays use characters from my childhood. The more mature plays are affected only by my adult experiences.
That's my contribution - running a sound, healthy company that serves millions of customers well and employs hundreds of thousands of people. What else am I going to do? I'm not an artist. I'm not a writer. I'm not a musician. I'd love to be a tennis player or musician. I'm not.
When I was a kid, my friends and I formed a band, Trombone Shorty's Brass Band. When I was six, I was a bandleader for my brother's band.
That certain feeling happened to me in a big way quite often with the first King Crimson. Amazing things would happen-I mean, telepathy, qualities of energy, things that I had never experienced before with music. You can't tell whether the music is playing the musician or the musician is playing the music.
A poet is an unhappy creature whose heart is tortured by deepest suffering but whose lips are so formed that when his sighs and cries stream out over them, their sound beomes like the sound of beautiful music . . . . And men flock about the poet saying, Sing for us soon again; that is to say, may new sufferings torture your soul, and may your lips continue to be formed as before.
It was three breakups going on at the same time. It was breaking up with my band, and my boyfriend, and right after that, my record label. I was arguing a lot with my record label during that whole time, so maybe they all affected each other. This record, Mondo Amore, came out of a time that was really heartbreaking and confusing, and that's why I switched the sound up a lot, to make it sound a little bit grittier and more raw.
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