A Quote by Chris Cornell
Whenever anyone sends me a link to a band, saying, 'These guys sound exactly like Soundgarden,' it's always some super simple sludge riff with a singer that sings high and screechy. And it's really awful.
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Luckily for me, when I was growing up in high school, I had a band, and I was a singer in the band. I'm less of a legit Broadway singer than I am a pop-rock singer.
In my last band, Soundgarden, I had a couple of different drummers sit in on some stuff and it was fun for me to kind of take a break and watch the band.
One of the things I've learned from animation is that some guys are really good at writing, some guys are really good at design, some guys are really good at directing. It's almost like working in a band - not everybody plays every instrument.
People would come up to me, saying, 'You sound a lot like the lead singer from Queen.' I started wondering, 'Who is this guy making me sound so unoriginal?'
I always just wanted to be the singer or the bass player in the band. I'd love to have a band, where I was obviously the singer, but where it wasn't me, it wasn't my name.
I think that was going on with bands like The Strokes was that the idea of the band, a real band, was making a comeback. My brother in law is an example- before he was listening to some country music, even some of that awful nu-metal stuff , but there weren't many options really.
I was never great, but I was a good [basketball] player, and I could play seriously. Now I'm like one of these old guys who's running around, and the guys I play with, who are all a lot younger, they sort of pity me and sympathize with me. They tolerate me, but we all know that I'm the weak link on the court. And I don't like being the weak link.
When I think of the things that I want to write, I can never say them out loud because I know how crazy they sound. I know what things sound like when you haven't actually worked on the script, so I don't go around saying some of these ideas because they just sound awful.
I think Everclear is a weird combination of a singer-songwriter and a hard-rock band. That's why some people really dig the band, and some don't.
Then they gave me a loaf of bread and told me to walk through the forest and give some to anyone who asked. I did exactly what they told me, and the second beggar-woman was a fairy in disguise, but instead of saying that whenever I spoke, diamonds and roses would drop from my mouth, she said that since I was so kind, I would never have any problems with my teeth.” “Really? Did it work?” “Well, I haven’t had a toothache since I met her.” “I’d much rather have good teeth than have diamonds and roses drop out of my mouth whenever I said something
There's always a Van der Graaf audience that wants to hear the band's sound. And totally fair enough. Why not? It's a band. You like the band, you like the band.
I don't want to hear from a band that pretty much sounds like another band. Oh I've heared this riff before, or I've heared these words that everyone is saying. I want to hear new poetry, new guitar riffs, new drum-beats, new sounds. Then I'm really interested.
I saw a band called The Electric Guitars, from Bristol. I described them to Roland, and he just started playing a riff on guitar and said, 'Do they sound like this?' And they did.
I'm really shallow when I come to guys. I only date really good-looking, well-endowed guys, with great bodies. My friends are always going on at me. I'm like. 'I can't help it! I'm just a woman with high standards!'
Whenever actors tout off about doing their own stunts, it's always ... they're so protective of you that I always know these stunt guys are so good [and] they're never going to put you in danger. But it's fun to do something kind of exciting, even something as simple as driving 70 through a tunnel with five motorcycles ... it sounds simple, but it's actually really nerve-wracking.
Melodies can be good depending on the context. You can have a simple melody, and if the harmony behind it is interesting, it can make a very simple melody really different. You can also have a complex melody. The more complex it is, the harder it is to sing, and then sometimes it can sound contrived. You could write a melody that would be fine on a saxophone but if you give it to a singer, it can sound raunchy.
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