A Quote by Chris Cornell
Seattle very much benefited from this geography where it was a town nobody had really heard of in terms of a music scene. So we had that factor of being a new discovery.
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I felt very proud to be part of a music scene that was changing the face of commercial music and rock music internationally, but I also felt like it was necessary for Soundgarden - as it was for all of these Seattle bands - to prove that we deserve to be on an international stage, and we weren't just part of a fad that was based on geography.
If I had grown up in any place but New Orleans, I don't think my career would have taken off. I wouldn't have heard the music that was around this town. There was so much going on when I was a kid.
A lot of the reason I left New York, in addition to being so broke, was that I just felt I was becoming provincial in that way that only New Yorkers are. My points of reference were really insular. They were insular in that fantastic New York way, but they didn't go much beyond that. I didn't have any sense of class and geography, because the economy of New York is so specific. So I definitely had access and exposure to a huge variety of people that I wouldn't have had if I'd stayed in New York - much more so in Nebraska even than in L.A.
I listened to all types of music, and obviously when I got to Seattle I was very much aware of the music scene there.
I've found that the chief difficulty for most people was to realize that they had really heard new things: that is things that they had never heard before. They kept translating what they heard into their habitual language. They had ceased to hope and believe there might be anything new.
By the end of the 1980s, Seattle had taken on the dangerous lustre of a promised city. The rumour had gone out that if you had failed in Detroit you might yet succeed in Seattle - and that if you'd succeeded in Seoul, you could succeed even better in Seattle... Seattle was the coming place. So I joined the line of hopefuls.
If you have free immigration, in the way we had it before 1914, everybody benefited. The people who were here benefited. The people who came benefited. Because nobody would come unless he, or his family, thought he would do better here than he would elsewhere. And, the new immigrants provided additional resources, provided additional possibilities for the people already here. So everybody can mutually benefit.
Olympia was a town crawling with music. I was new to the whole punk scene. The culture shock continued; Olympia had bagels! We didn't have bagels in Arkansas. You could order vegetarian food all over town! It was so crazy to me - a place with so many vegetarians, the restaurants made special dishes for them?
There was this moment when we made 'Superunknown': the Seattle music scene had suddenly ended up on an international stage with huge success.
My first passion was running: I excelled at that starting till the end of the high school. I pretty much cover about 20 miles a night on stage. I basically rechanneled all the athleticism and adrenaline, and everything that's exciting about sports into music. That was my secret weapon, because in Ukrainian punk rock scene - where everything was very gloomy - being athletic was not cool. I didn't publicize anything about my sport past, but I rolled in onstage with a background nobody had, and I became instantly recognized as the wildest performer in the punk-rock scene.
Mortal City was really influenced by geography. [The song] "The Ocean" is the Pacific Northwest. Southern California and New York also figure into songs, and Iowa. "February" is very much about New England. "Mortal City" is Philadelphia. The whole album is this anthropomorphized landscape where the metaphors live in this geography.
We had the same kind of unemployment here as they had in the worst hit places in the North and you're meant to be on a cushy wicket in the South. If you go up to Newcastle, you can tell that the town's really had money, or Liverpool, you know, the northern towns have got grandeur, whereas Medway, being just a sort of garrison town and dockyard town, you don't have anything like Earl Grey Square or anything like that.
My feeling is that the judge has a responsibility to the Constitution first, precedent second. Precedent is one factor. It is not the only factor. If it was the only factor, then, you know, we wouldn't have had Roe vs. Wade. We wouldn't have had Griswold. We wouldn't have had Lawrence. We wouldn't have had all these cases which the Left love.
I think the Cosmic Psychos were a band that was highly influential on the Seattle so called grunge scene. I know that Kurt and Nirvana were fans, they played shows with Pearl Jam. Even thou the Cosmic Psychos never had the commercial impact or success that those bands had, they were still a major influence on them, and I think a lot of it had to do with the spirit and the sound of their music.
When I fifteen or sixteen and was in London, moving from a small town and now going to a big city, I discovered so much new music. Finding all of that music and being inspired that much all at once, that was the benefit of being from a small place.
I was well aware of that when I heard they were remaking 'Total Recall.' My first reaction was: 'Ewww, really okay?' And the director said you should really look at it, the script is good. I had already done a remake. I had just finished 'Fright Night.' When I heard about that being remade, I had a whole ego thing... remake?. 'That is so uncool! I loved the original, I can't possibly do that.
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